{"id":36549,"date":"2025-02-17T11:31:08","date_gmt":"2025-02-17T10:31:08","guid":{"rendered":"https:\/\/pavillon-adc.ch\/?post_type=spectacle&#038;p=36549"},"modified":"2025-11-11T10:19:55","modified_gmt":"2025-11-11T09:19:55","slug":"36549","status":"publish","type":"spectacle","link":"https:\/\/archives.adc-geneve.ch\/2126\/spectacle\/36549\/","title":{"rendered":"Soa Ratsifandrihana 2025"},"content":{"rendered":"\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div data-block_651217b44d888156da976ff43ae90abb class=\"c-block c-block-spectacle-header spectacle-header align\">\n\n            <h1 class=\"b-spectacle-header__auteur font-sans font-bold text-6xl md:text-4xl leading-none md:pr-4 border-0 pb-0 mb-1\">Soa Ratsifandrihana  <\/h1>\n        <span class=\"b-spectacle-header__titre font-serif italic block text-5xl md:text-3xl  leading-none w-auto md:w-full md:inline\">Fampitaha, fampita, fampit\u00e0na<\/span>    \n    <p class=\"text-xl font-bold\">\n    ma 30 sept \u2014 je 2 oct \/ 20h                 <br> 60&#039; envir. \n            <ul class=\"flex gap-4 list-none m-0 p-0\">\n                                                            <li >\n                                            <button\n                            class=\"tooltip\"\n                            aria-expanded=\"false\"\n                            data-tippy-content=\"Accessible aux personnes \u00e0 mobilit\u00e9 r\u00e9duite\"\n                        >\n                            <img decoding=\"async\" src=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2024\/11\/chaise.svg\" alt=\"Accessible aux personnes \u00e0 mobilit\u00e9 r\u00e9duite\" class=\"w-10\">\n                        <\/button>\n                                    <\/li>\n                                                                                                                                                                                                                                                                                        <li >\n                                            <button\n                            class=\"tooltip\"\n                            aria-expanded=\"false\"\n                            data-tippy-content=\"Soir\u00e9e RELAX\"\n                        >\n                            <img decoding=\"async\" src=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2024\/11\/relax-1.svg\" alt=\"Soir\u00e9e RELAX\" class=\"w-10\">\n                        <\/button>\n                                    <\/li>\n                        <\/ul>\n        \n        <span class=\"block my-4 md:my-2\">\n      <a href=\"https:\/\/infomaniak.events\/fr-ch\/shop\/pavillon-adc-YT3NW1XHK8\/events\/1439220\/\" class=\"border-b-0 btn-form\" target=\"_blank\"> RESERVER OU ACHETER <\/a>\n      <\/span>\n        <\/p>\n\n        <div class=\"pt-1 text-xl border-t border-black\"><p>Apr\u00e8s avoir \u00e9lectris\u00e9 le Pavillon avec son solo <em>g r oo v e<\/em>, Soa Ratsifandrihana r\u00e9unit quatre corps et autant d\u2019histoires diasporiques pour explorer ensemble leurs liens comme leurs singularit\u00e9s. C\u2019est <em>Fampitaha, fampita, fampit\u00e0na<\/em> \u2013 comparaison, transmission, rivalit\u00e9 en malgache. Et \u00e7a explose du plaisir de danser, de chanter.<\/p>\n<p>Ce spectacle s&rsquo;articule avec la cr\u00e9ation radiophonique <a href=\"https:\/\/www.radiola.be\/productions\/rouge-cratere\/\">Rouge crat\u00e8re<\/a>. Dans cette adresse \u00e0 Madagascar, Soa sonde les crat\u00e8res qui la composent, de son v\u00e9cu d&rsquo;enfant de la diaspora malgache en France, jusqu&rsquo;\u00e0 sa pratique de la danse. Cette cr\u00e9ation radiophonique explore les cons\u00e9quences de la colonisation sur les corps, les r\u00e9cits et l&rsquo;intime.<\/p>\n<p><span style=\"text-decoration: underline;\">Session d&rsquo;\u00e9coute<\/span><br \/>\nTous les soirs de repr\u00e9sentation, nous vous invitons \u00e0 une \u00e9coute de <a href=\"https:\/\/www.radiola.be\/productions\/rouge-cratere\/\" rel=\"noopener\">Rouge crat\u00e8re <\/a>\u00a0avant ou apr\u00e8s le spectacle.<br \/>\nHeure : en continu<br \/>\nLieu : Pavillon ADC, petite salle (2\u00e8me \u00e9tage)<br \/>\nEntr\u00e9e libre<\/p>\n<p><a href=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2025\/09\/FdS4_Soa_Ratsifandrihana.pdf\">T\u00c9L\u00c9CHARGER LA FEUILLE DE SALLE<\/a><\/p>\n<p><a href=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2025\/09\/FdS_FALC_SOA_RATSIFANDRIHANA.pdf\">T\u00c9L\u00c9CHARGER LA FEUILLE DE SALLE EN FALC<\/a><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n    <\/div>\n\n\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:22px\"><a href=\"https:\/\/pavillon-adc.ch\/soa-ratsifandrihana\/\">TEXTE FACILE \u00c0 LIRE ET \u00c0 COMPRENDRE (FALC)<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:17px\"><strong>direction artistique<\/strong> Soa Ratsifandrihana \u2014 <strong>chor\u00e9graphie et interpr\u00e9tation<\/strong> Audrey M\u00e9rilus, Stanley Ollivier, Soa Ratsifandrihana \u2014 La phrase footwork est de Raza \u2014 <strong>musique originale et interpr\u00e9tation<\/strong> Jo\u00ebl Rabesolo \u2014 <strong>dramaturgie<\/strong> Lily Brieu Nguyen \u2014 <strong>collaboration artistique<\/strong> J\u00e9r\u00e9mie Polin Razanaparany aka Raza, Amelia Ewu, Thi Mai Nguyen \u2014 <strong>lumi\u00e8res <\/strong>Marie-Christine Soma \u2014 <strong>costumes<\/strong> Harilay Rabenjamina \u2014 <strong>avec la complicit\u00e9 de<\/strong> l&rsquo;Atelier Costumes du Th\u00e9\u00e2tre Varia Fabienne Damiean, Baptiste Alexandre, Marie-C\u00e9line Debande \u2014 <strong>son <\/strong>Chlo\u00e9 Despax, Guilhem Angot \u2014 <strong>regard sur les questions de transmission et d\u2019identit\u00e9 <\/strong>Prisca Ratovonasy \u2014 <strong>textes<\/strong> S\u00e9kou S\u00e9mega \u2014 <strong>regard ext\u00e9rieur<\/strong> Maria Dogahe \u2014<strong> vid\u00e9os<\/strong> Val\u00e9rianne Poidevin \u2014 <strong>r\u00e9gie g\u00e9n\u00e9rale <\/strong>Thomas Roulleau-Gallais \u2014 <strong>r\u00e9gie lumi\u00e8re<\/strong> Diane Gu\u00e9rin, Julien Rauche (en alternance) \u2014 <strong>r\u00e9gie son<\/strong> Guilhem Angot, Paul Boulier, Jean-Louis Walfart (en alternance) \u2014&#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:17px\">Avec le soutien de&nbsp;<a href=\"https:\/\/www.dancereflections-vancleefarpels.com\/fr\">Dance Reflections<\/a>&nbsp;by Van Cleef &amp; Arpels<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100\"><a class=\"wp-block-button__link has-black-color has-text-color has-link-color wp-element-button\" href=\"https:\/\/pavillon-adc.ch\/mediation\/par-le-regard-et-lecoute\/\">SOIR\u00c9E RELAX \u2014&nbsp;mercredi 1 octobre : soir\u00e9e avec un accueil particulier <\/a><\/div>\n<\/div>\n\n\n<div data-block_1694cff826197233642a4103c067ff34 class=\"c-block c-block-acc has_color b-accordeon-dinfos b-accordeon accordion align\">\n  <button id=\"accordeon-block_1694cff826197233642a4103c067ff34\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">+ d&rsquo;infos<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>La danseuse et chor\u00e9graphe franco-malgache poursuit ainsi son exploration de r\u00e9cits incarn\u00e9s, m\u00ealant tr\u00e8s intuitivement danse, parole, musique et m\u00e9moire. <em>Fampitaha, fampita, fampit\u00e0na<\/em> s\u2019articule avec <em>Rouge crat\u00e8re<\/em>. Le diptyque invite \u00e0 se d\u00e9lester du poids de la honte et \u00e0 sortir du silence de l\u2019Histoire. Sur sc\u00e8ne, la complicit\u00e9 et la libert\u00e9 du groupe explose : Jo\u00ebl Rabesolo, originaire de Madagascar, pilote le voyage sonore, les performeureuses Audrey Merilus, n\u00e9e de parents ha\u00eftiens, et Stanley Ollivier, dont la m\u00e8re est antillaise, composent avec Soa Ratsifandrihana un langage physique puissant, expressif, ludique. La pi\u00e8ce explose du plaisir de conter, de chanter, de danser.<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_af4c45bfbe45fac0cf3b9a2b4a53c3e0 class=\"c-block c-block-acc has_color b-accordeon-la-presse-en-parle b-accordeon accordion align\">\n  <button id=\"accordeon-block_af4c45bfbe45fac0cf3b9a2b4a53c3e0\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">La presse en parle<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p><strong>\u2014 RTS, Couleur 3, Pili Pili<\/strong>, 28 novembre 2025, par Michel Ndeze<br \/>\n+ \u00e9couter le podcast \u00e0 partir de 36&rsquo;07\u00a0\u00bb :<a href=\"https:\/\/www.rts.ch\/audio-podcast\/2025\/audio\/pili-pili-29011614.html\"> Pili Pili<\/a><\/p>\n<p><strong>\u2014\u00a0Le Courrier<\/strong>, 29 septembre 2025, par C\u00e9cile dalla Torre<br \/>\n\u00ab\u00a0L\u2019artiste d\u2019origine malgache Soa Ratsifandrihana d\u00e9peint la situation de l\u2019\u00eele dans son podcast, Rouge crat\u00e8re, en guise d\u2019introduction \u00e0 son spectacle. Fampitaha, fampita, fampit\u00e0na est \u00e0 voir jusqu\u2019\u00e0 jeudi au Pavillon ADC, \u00e0 Gen\u00e8ve, avant Vidy-Lausanne.\u00a0\u00bb<br \/>\n+ Lire la suite : <a href=\"https:\/\/lecourrier.ch\/2025\/09\/29\/madagascar-depuis-lexil\/\">Le Courrier<\/a><\/p>\n<p><strong>\u2014\u00a0Le Monde<\/strong>, le 17 septembre 2024, par Rosita Boisseau<br \/>\n\u00ab Pour sa derni\u00e8re cr\u00e9ation, \u00ab Fampitaha, fampita, fampit\u00e0na \u00bb, la chor\u00e9graphe d\u2019origine malgache convie trois partenaires issus de diasporas vari\u00e9es qui dansent, chantent et racontent la colonisation, l\u2019oubli de la langue et la migration. \u00bb<br \/>\n+ Lire la suite : <a href=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2025\/07\/240905-Le-Monde-Soa-Ratsifandrihana2.pdf\">Le Monde<\/a><\/p>\n<p><strong>\u2014 l&rsquo;Humanit\u00e9<\/strong>, le 9 juin 2024, par Muriel Steinmetz<br \/>\n\u00ab Dans une pi\u00e8ce qui magnifie la r\u00e9appropriation des gestes ancestraux, la chor\u00e9graphe malgache Soa Ratsifandrihana trouve une forte inspiration \u00e0 partir de racines enfouies. \u00bb<br \/>\n+ Lire la suite : <a href=\"https:\/\/www.humanite.fr\/culture-et-savoir\/danse-contemporaine\/soa-ratsifandrihana-et-sous-le-corset-colonial-des-corps-se-liberent\">l&rsquo;Humanit\u00e9<\/a><\/p>\n<p><strong>\u2014\u00a0Mouvement<\/strong>, le 4 juin 2025, par Zineb Soulaimani<br \/>\n\u00ab S\u2019\u00e9manciper du carcan acad\u00e9mique et inventer une danse \u00e0 soi, fi\u00e8re et d\u00e9coloniale : telle est la feuille de route de Soa Ratsifandrihana dans Fampitaha, fampita, fampit\u00e0na, sa premi\u00e8re cr\u00e9ation de groupe. Un quatuor joyeux et solaire qui fait parler la danse pour combler les trous de l\u2019histoire. \u00bb<br \/>\n+ Lire la suite : <a href=\"https:\/\/www.mouvement.net\/scenes\/soa-ratsifandrihana-se-decoloniser-une-danse-apres-l-autre\">Mouvement<\/a><\/p>\n<p><strong>\u2014\u00a0Le beau bizarre<\/strong>, le 3 juin 2024, par Zineb Soulaimani<br \/>\n+ \u00e9couter le podcast : <a href=\"https:\/\/open.spotify.com\/episode\/1Gbbh6TIT59jxYsQj5jgxK?si=jUJIL489SFGYhCbe8q6Kxg&amp;nd=1&amp;dlsi=5220aa3c19b94733\">Le beau bizarre<\/a><\/p>\n<p><strong>\u2014 bruzz<\/strong>, le 19 mai 2024<br \/>\n\u00ab La chor\u00e9graphe Soa Ratsifandrihana: &lsquo;Un dialogue entre une \u00eele et sa diaspora&rsquo; \u00bb<br \/>\n+ Voir la vid\u00e9o : <a href=\"https:\/\/www.bruzz.be\/fr\/select\/podium\/choreografe-soa-ratsifandrihana-een-dialoog-tussen-een-eiland-en-zijn-diaspora-2024\">bruzz<\/a><\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_f4aeb2ecd1ebb458e945f51c46f83c6a class=\"c-block c-block-acc has_color b-accordeon-bio b-accordeon accordion align\">\n  <button id=\"accordeon-block_f4aeb2ecd1ebb458e945f51c46f83c6a\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Bio<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>Danseuse et chor\u00e9graphe franco-malgache bas\u00e9e \u00e0 Bruxelles, Soa Ratsifandrihana se forme au CNSMD de Paris avant de collaborer avec James Thierr\u00e9e, Salia Sanou et Anne Teresa de Keersmaeker. En 2021, elle cr\u00e9e son premier solo <em>g r oo v e<\/em>, jou\u00e9 plus de cinquante fois en Europe, au Canada, en Asie, et bient\u00f4t \u00e0 Madagascar. En 2024, elle pr\u00e9sente un diptyque m\u00ealant cr\u00e9ation radiophonique (<em>Rouge crat\u00e8re<\/em>) et spectacle (<em>Fampitaha, fampita, fampit\u00e0na<\/em>), poursuivant une recherche sur les croisements entre r\u00e9cit, musique et geste. \u00c0 travers ses \u0153uvres, Soa Ratsifandrihana affirme que les corps, comme les mots, portent des r\u00e9cits essentiels \u00e0 transmettre. Elle est artiste associ\u00e9e au Kaaitheater (2023-2025) et au Centre chor\u00e9graphique d&rsquo;Orl\u00e9ans (2024-2026).<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_f23f96c38de2fb8259237e24e6f52f0b class=\"c-block c-block-acc has_color b-accordeon-credits b-accordeon accordion align\">\n  <button id=\"accordeon-block_f23f96c38de2fb8259237e24e6f52f0b\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Cr\u00e9dits<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p class=\"p1\"><strong>d\u00e9veloppement, production, diffusion <\/strong>ama brussels &#8211; Babacar Ba, Clara Schmitt, Emi Parot, France Morin \u2014 <strong>production d\u00e9l\u00e9gu\u00e9e ama brussels<\/strong>, Th\u00e9\u00e2tre Varia en collaboration avec M\u00e9t\u00e9ores \u2014<strong> coproduction <\/strong>Kaaitheater, Kunstenfestivaldesarts, Th\u00e9\u00e2tre Varia, Charleroi danse, MC93 \u2014 Maison de la Culture de Seine-Saint-Denis, ICI &#8211; centre chor\u00e9graphique national Montpellier Occitanie \/ Direction Christian Rizzo , centre chor\u00e9graphique national d&rsquo;Orl\u00e9ans-direction Maud Le Pladec, Le Gymnase-CDCN Roubaix, La Place de la Danse-CDCN Toulouse \/ Occitanie, Fonds Yavarhoussen, Tanz im August \/ HAU Hebbel am Ufer, Fonds Transfabrik &#8211; fonds franco-allemand pour le spectacle vivant, La Coop asbl, Shelter Prod. Coproduction A-CDCN (Les Hivernales &#8211; CDCN d\u2019Avignon, La Manufacture &#8211; CDCN Nouvelle- Aquitaine Bordeaux \u00b7 La Rochelle, L\u2019\u00e9changeur &#8211; CDCN Hauts-de-France, Le Dancing CDCN Dijon Bourgogne-Franche-Comt\u00e9, Chor\u00e8ge CDCN Falaise Normandie, Le Pacifique &#8211; CDCN Grenoble &#8211; Auvergne &#8211; Rh\u00f4ne- Alpes, Touka Danses &#8211; CDCN Guyane, Atelier de Paris \/ CDCN, Le Gymnase CDCN Roubaix &#8211; Hauts- de-France, POLE-SUD CDCN \/ Strasbourg, La Place de la Danse &#8211; CDCN Toulouse \/ Occitanie, La Maison Danse CDCN Uz\u00e8s Gard Occitanie, La briqueterie CDCN du Val-de-Marne) \u2014 r\u00e9sidences ICI &#8211; CCN Montpellier Occitanie, La Bellone &#8211; Maison du spectacle, Gemeenschapscentrum De Kriekelaar, Universit\u00e9 d\u2019Antananarivo, KAAP, Le Gymnase-CDCN Roubaix, Th\u00e9\u00e2tre Varia, CCN d\u2019Orl\u00e9ans, Radio Grenouille <strong>\u2014 avec le soutien de <\/strong>Dance Reflections by Van Cleef &amp; Arpels<strong> \u2014 avec le soutien de <\/strong>F\u00e9d\u00e9ration Wallonie-Bruxelles \u2013 Direction de la danse, Wallonie- Bruxelles International, taxshelter.be, ING et tax shelter du gouvernement f\u00e9d\u00e9ral belge \u2014 Soa Ratsifandrihana est artiste en r\u00e9sidence au Kaaitheater pour la p\u00e9riode 2023-25 \u2014 <strong>remerciements \u00e0 <\/strong>Julie Iarisoa, Makwa Joma, Arikaomisa Randria, \u00e0 Naivo Merci \u00e0 Maria Dogahe, Jonathan, Do sy Bodo Pour Rado<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_3d6cba6f5585665166d2ff1ff586e0c2 class=\"c-block c-block-acc has_color b-accordeon-en b-accordeon accordion align\">\n  <button id=\"accordeon-block_3d6cba6f5585665166d2ff1ff586e0c2\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">EN<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>After electrifying the Pavillon with her solo <em>g r oo v e<\/em>, Soa Ratsifandrihana gathers four bodies and as many diasporic stories to explore their similarities and singularities. This is Fampitaha, fampita, fampit\u00e0na &#8211; comparison, transmission, rivalry in Malagasy. And it bursts with the joy of dancing, of singing.<\/p>\n\n  <\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Soa Ratsifandrihana - Fampitaha, fampita, fampit\u00e0na | Kunstenfestivaldesarts 2024\" src=\"https:\/\/player.vimeo.com\/video\/950468335?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"36554\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2025\/02\/2-num-@Harilay-Rabenjamina-1024x683.png\" alt=\" 1\" class=\"wp-image-36554\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2025\/02\/2-num-@Harilay-Rabenjamina-1024x683.png 1024w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2025\/02\/2-num-@Harilay-Rabenjamina-300x200.png 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2025\/02\/2-num-@Harilay-Rabenjamina-768x512.png 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2025\/02\/2-num-@Harilay-Rabenjamina-1536x1024.png 1536w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2025\/02\/2-num-@Harilay-Rabenjamina-2048x1365.png 2048w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2025\/02\/2-num-@Harilay-Rabenjamina-1320x880.png 1320w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Harilay Rabenjamina<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"686\" data-id=\"37624\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2025\/02\/soa-ratsifandrihana-2025-3-1024x686.png\" alt=\"Soa Ratsifandrihana 2025 3\" class=\"wp-image-37624\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2025\/02\/soa-ratsifandrihana-2025-3-1024x686.png 1024w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2025\/02\/soa-ratsifandrihana-2025-3-300x201.png 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2025\/02\/soa-ratsifandrihana-2025-3-768x515.png 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2025\/02\/soa-ratsifandrihana-2025-3-1536x1029.png 1536w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2025\/02\/soa-ratsifandrihana-2025-3-2048x1372.png 2048w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2025\/02\/soa-ratsifandrihana-2025-3-1320x884.png 1320w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Harilay Rabenjamina<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"FESTIVAL D&#039;AUTOMNE 2024 I Fampitaha, fampita, fampit\u00e0na, Soa Ratsifandrihana\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/TsIjtAWh3OI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>TEXTE FACILE \u00c0 LIRE ET \u00c0 COMPRENDRE (FALC) direction artistique Soa Ratsifandrihana \u2014 chor\u00e9graphie et interpr\u00e9tation Audrey M\u00e9rilus, Stanley Ollivier, Soa Ratsifandrihana \u2014 La phrase footwork est de Raza \u2014 musique originale et interpr\u00e9tation Jo\u00ebl Rabesolo \u2014 dramaturgie Lily Brieu Nguyen \u2014 collaboration artistique J\u00e9r\u00e9mie Polin Razanaparany aka Raza, Amelia Ewu, Thi Mai Nguyen \u2014 &hellip; <a href=\"https:\/\/archives.adc-geneve.ch\/2126\/spectacle\/36549\/\">Continued<\/a><\/p>\n","protected":false},"featured_media":37623,"template":"","categories":[17],"tags":[],"saison":[49],"periode":[48],"class_list":["post-36549","spectacle","type-spectacle","status-publish","has-post-thumbnail","hentry","category-spectacle","saison-25-26","periode-aout-decembre-2025"],"acf":[],"_links":{"self":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/36549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle"}],"about":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/types\/spectacle"}],"version-history":[{"count":67,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/36549\/revisions"}],"predecessor-version":[{"id":39166,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/36549\/revisions\/39166"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/media\/37623"}],"wp:attachment":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/media?parent=36549"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/categories?post=36549"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/tags?post=36549"},{"taxonomy":"saison","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/saison?post=36549"},{"taxonomy":"periode","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/periode?post=36549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}