{"id":29695,"date":"2023-10-03T17:40:21","date_gmt":"2023-10-03T15:40:21","guid":{"rendered":"https:\/\/pavillon-adc.ch\/?post_type=spectacle&#038;p=29695"},"modified":"2024-06-06T11:12:51","modified_gmt":"2024-06-06T09:12:51","slug":"anna-marija-adomaityte-tiktok-ready-choreographies-2024","status":"publish","type":"spectacle","link":"https:\/\/archives.adc-geneve.ch\/2126\/spectacle\/anna-marija-adomaityte-tiktok-ready-choreographies-2024\/","title":{"rendered":"Anna-Marija Adomaityte &#8211; TikTok-Ready Choreographies \/ 2024"},"content":{"rendered":"\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div data-block_0fe42d9ba1a6cf66b2ca058b0d074847 class=\"c-block c-block-spectacle-header spectacle-header align\">\n\n            <h1 class=\"b-spectacle-header__auteur font-sans font-bold text-6xl md:text-4xl leading-none md:pr-4 border-0 pb-0 mb-1\">Anna-Marija Adomaityte<\/h1>\n        <span class=\"b-spectacle-header__titre font-serif italic block text-5xl md:text-3xl  leading-none w-auto md:w-full md:inline\">TikTok-Ready Choreographies<\/span>    \n    <p class=\"text-xl font-bold\">\n    ma 16 \u2014 sa 20 avril             <br> ma-ve 20h, sa 19h     <br> Dur\u00e9e : 50 min \n        \n        <span class=\"block my-4 md:my-2\">\n      <a href=\"https:\/\/infomaniak.events\/shop\/yqZ64Swlgw\/\" class=\"border-b-0 btn-form\" target=\"_blank\"> RESERVER OU ACHETER <\/a>\n      <\/span>\n        <\/p>\n\n        <div class=\"pt-1 text-xl border-t border-black\"><p>Danses de quelques secondes sur musiques pop. Mains, \u00e9paules, regards. Capsules virales dans la verticalit\u00e9 du t\u00e9l\u00e9phone. Gestes copi\u00e9s, d\u00e9clin\u00e9s sans fin. Anna-Marija Adomaityte poursuit avec <em>TikTok-Ready Choreographies <\/em>sa recherche sur l\u2019\u00e9puisement du geste, avec un groupe de jeunes <em>tiktokeur\u00b7euses<\/em> romand\u00b7es.<\/p>\n<p>\u00ab\u00a0Ici, ma cousine danse dans sa chambre. L\u00e0, \u00e0 l\u2019autre bout du monde, une autre fille r\u00e9p\u00e8te la m\u00eame chor\u00e9graphie dans sa cuisine, \u00e0 quelques variations pr\u00e8s\u2026 Sur<em>\u00a0<\/em>TikTok, \u00e0 l\u2019\u00e2ge o\u00f9 l\u2019identit\u00e9 est parfois trouble jusque dans la chair, des jeunes mettent en sc\u00e8ne leurs corps : face-cam\u00e9ra comme devant un miroir, elles et ils s\u2019offrent \u00e0 la vue d\u2019une foule avide et invisible, les millions d\u2019<em>autres<\/em>, de l\u2019autre c\u00f4t\u00e9 de l\u2019\u00e9cran. Les vid\u00e9os oscillent entre artificialit\u00e9 et intimit\u00e9, virtuosit\u00e9 des gestes et marqueurs sociaux criants. \u00c0 travers l\u2019ob\u00e9issance \u00e0 cet ordre chor\u00e9graphique, je vois un \u00e9trange langage des signes, o\u00f9 quelque chose \u2014 qui n\u2019a rien \u00e0 voir avec les mots \u2014 semble vouloir s\u2019exprimer. Que se passe-t-il lorsqu\u2019un groupe d\u2019adolescent\u00b7e\u00b7s diss\u00e8quent ensemble, sur sc\u00e8ne, les gestes implacables de TikTok ? \u00a0\u00bb<\/p>\n<p>Anna-Marija Adomaityte<\/p>\n<\/div>\n    <\/div>\n\n\n\n\n\n<p class=\"wp-block-paragraph\">\u2014 T\u00e9l\u00e9charger la <a href=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2024\/04\/FdS_Anna-Marija-Adomaityte.pdf\">feuille de salle <\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\"><strong>Concept et chor\u00e9graphie<\/strong> Anna-Marija Adomaityte \u2014 <strong>Cr\u00e9ation sonore et lumi\u00e8re, direction technique<\/strong> Gautier Teuscher <strong>\u2014 Interpr\u00e9tation<\/strong> Adriana Amos, Charlotte Laurient, Lou Bertossa, Edith Nordmann, Louane Pericot, M\u00e9gane Belomo, Alessia Pierdomenico&nbsp;<strong>\u2014 Collaboration \u00e0 l\u2019\u00e9criture chor\u00e9graphique,&nbsp;r\u00e9f\u00e9rent&nbsp;<\/strong> Victor Poltier <strong>\u2014<\/strong> <strong>Directrice de casting <\/strong>Minna Prader <strong>\u2014<\/strong> <strong>Costumes <\/strong>Wato <strong>\u2014<\/strong> <strong>Diffusion <\/strong>Tristan Barani<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\">Cr\u00e9ation \u2014 coproduction Pavillon ADC<br>Cr\u00e9ation dans le cadre du programme (AC)COMPAGNONS soutenu par la Fondation Leenaards.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n<div data-block_117f56d2525c319cb01e53e1ceca3fe1 class=\"c-block c-block-acc has_color b-accordeon-dinfos-sur-le-spectacle b-accordeon accordion align\">\n  <button id=\"accordeon-block_117f56d2525c319cb01e53e1ceca3fe1\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">+ d&rsquo;infos sur le spectacle<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>\u00ab\u00a0<strong><em>TikTok-Ready Choreographies\u00a0<\/em><\/strong>est cr\u00e9\u00e9 avec 7 adolescent\u00b7e\u00b7x\u00b7s, utilisateur\u00b7ices de\u00a0<em>TikTok<\/em>. Elle constitue le troisi\u00e8me volet, apr\u00e8s w<em>orkpiece\u00a0<\/em>et\u00a0<em>Pas de deux,\u00a0<\/em>de ma recherche sur l\u2019\u00e9puisement du geste, sur la capacit\u00e9 des corps \u00e0 \u00e9roder les syst\u00e8mes de pouvoir auxquels ils font partie.\u00a0\u00bb<\/p>\n<p>Anna-Marija Adomaityte<\/p>\n<p>&nbsp;<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_5430a2103f9eb75e0c41938da66a2538 class=\"c-block c-block-acc has_color b-accordeon-la-presse-en-parle b-accordeon accordion align\">\n  <button id=\"accordeon-block_5430a2103f9eb75e0c41938da66a2538\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">La presse en parle<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>\u2014 RTS, la 1\u00e8re, Vertigo, le 5 juin 2024, par Thierry Sartoretti<br \/>\n\u00ab Au d\u00e9but de mon travail j&rsquo;ai vite r\u00e9alis\u00e9 que je ne savais que tr\u00e8s peu de choses sur le sujet, (&#8230;) il m&rsquo;a sembl\u00e9 tr\u00e8s important de collaborer avec des personnes qui connaissent ce monde, en poss\u00e8dent les cl\u00e9s et le mat\u00e9riel performatif. \u00bb<br \/>\n+ Ecouter l&rsquo;\u00e9mission : <a href=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2023\/10\/Vertigo-du-03-06-2024.mp3\">Vertigo<\/a><\/p>\n<p>\u2014<strong> RTS &#8211; Culture, <\/strong>le 5 juin 2024, par Thierry Sartoretti<br \/>\n\u00ab Les sept interpr\u00e8tes forment un ballet de super-h\u00e9ro\u00efnes, gestes et regards parfaitement ma\u00eetris\u00e9s, millim\u00e9tr\u00e9s sur un tapis volant musical qui lance quelques clins d&rsquo;\u0153il \u00e0 TikTok, notamment le sped-up, cette mode d&rsquo;acc\u00e9l\u00e9rer au maximum les tubes du moment.\u00bb<br \/>\n+ Lire la Suite : <a href=\"https:\/\/www.rts.ch\/info\/culture\/spectacles\/2024\/article\/tiktok-ready-choreographies-manifeste-solidaire-et-danse-de-la-force-adolescente-28527767.html\">RTS &#8211; Culture<\/a><\/p>\n<p>\u2014<strong> RTS &#8211; RAMDAM<\/strong>, le 29 mai 2024, par Jo\u00eblle Rebetez<br \/>\n\u00ab Pour moi c&rsquo;est important de comprendre comment TikTok affecte les jeunes gens, comment \u00e7a conditionne leurs gestes, leur mani\u00e8re d&rsquo;\u00eatre au monde \u00bb &#8211; Anna-Marija Adomaityte<br \/>\n+ voir l&rsquo;\u00e9mission : <a href=\"https:\/\/www.rts.ch\/play\/tv\/ramdam\/video\/les-ados-se-racontent?urn=urn:rts:video:14934080\">RAMDAM <\/a><\/p>\n<p>\u2014 <strong>L&rsquo;Oeil d&rsquo;Olivier<\/strong>, le 20 avril 2024, par Samuel Gleyze-Esteban<br \/>\n\u00ab Chacune \u00e0 sa danse, les filles se toisent les unes les autres, juxtapos\u00e9es, mais \u00e0 distance. Elles feront corps que plus tard, dans un second temps, pour se synchroniser \u00e0 peu pr\u00e8s sur une m\u00eame suite de mouvements, face public. Mais il y en a toujours une pour s\u2019arr\u00eater et observer les autres, cristallisant avec elle quelque chose d\u2019une solitude teenage. \u00bb<br \/>\n+ Lire la suite : <a href=\"https:\/\/www.loeildolivier.fr\/2024\/04\/tiktok-ready-choreographies-theorie-dansee-de-la-jeune-fille\/\">L&rsquo;Oeil d&rsquo;Olivier<\/a><\/p>\n<p>\u2014 <strong>Le Courrier<\/strong>, le 18 avril 2024, par C\u00e9cile dalla Torre<br \/>\n\u00ab D\u00e9cryptant les pratiques contemporaines, la pi\u00e8ce met en lumi\u00e8re un ph\u00e9nom\u00e8ne social individuel, \u00e0 la fois intime et \u00advisible par le monde entier, lorsque les tiktokeuses (et tiktokeurs) dansent devant l\u2019\u00e9cran de leur t\u00e9l\u00e9phone. \u00bb<br \/>\n+ Lire la suite : <a href=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2024\/04\/18.04.24_Le-Courrier.pdf\">Le Courrier<\/a><\/p>\n<p>\u2014 <strong>Tribune de Gen\u00e8ve<\/strong>, le 18 avril 2024, par Katia Berger<br \/>\n\u00ab En \u00e0 peine quatre ans, elle a imprim\u00e9 sa griffe unique sur la sc\u00e8ne chor\u00e9graphique europ\u00e9enne. \u00bb<br \/>\n+ Lire la suite : <a href=\"https:\/\/www.tdg.ch\/pavillon-adc-a-geneve-resister-a-lalgorithme-545723323279\">Tribune de Gen\u00e8ve<\/a><\/p>\n<p>\u00c0 propos de la pi\u00e8ce <em>Pas de deux <\/em>\u00e0 la B\u00e2tie:<br \/>\n\u2014<strong> Tribune de Gen\u00e8ve<\/strong>, le 08 novembre 2021, par Katia Berger<br \/>\n\u00ab elle a sign\u00e9 l\u2019une des pi\u00e8ces les plus m\u00e9morables \u00e0 l\u2019affiche de la derni\u00e8re B\u00e2tie, <em>Pas de deux <\/em> \u00bb<br \/>\n+ Lire la suite : <a href=\"https:\/\/www.tdg.ch\/artistes-emergents-une-urgence-freinee-par-les-fermetures-496493142470\">Tribune de Gen\u00e8ve<\/a><\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_a7e9c1c01016b2b85472dfdcf7532f89 class=\"c-block c-block-acc has_color b-accordeon-bio b-accordeon accordion align\">\n  <button id=\"accordeon-block_a7e9c1c01016b2b85472dfdcf7532f89\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Bio<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>N\u00e9e en Lituanie, <strong>Anna-Marija Adomaityte <\/strong>a \u00e9tudi\u00e9 la danse \u00e0 la Manufacture-Haute \u00c9cole des arts de la sc\u00e8ne \u00e0 Lausanne, et les arts plastiques \u00e0 l\u2019ECAL (\u00c9cole cantonale d\u2019art de Lausanne). Sa premi\u00e8re performance, <em>workpiece,<\/em> a \u00e9t\u00e9 pr\u00e9sent\u00e9e dans de nombreux festivals internationaux, et <em>Pas de deux, <\/em>spectacle sur la figure du couple h\u00e9t\u00e9ronorm\u00e9, a \u00e9t\u00e9 s\u00e9lectionn\u00e9 pour entrer dans le r\u00e9seau europ\u00e9en de danse AEROWAVES en 2022.<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_3a1b2a3c8781cb33cc540f6f7ca57f4c class=\"c-block c-block-acc has_color b-accordeon-credits b-accordeon accordion align\">\n  <button id=\"accordeon-block_3a1b2a3c8781cb33cc540f6f7ca57f4c\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Cr\u00e9dits<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p><strong>Administration <\/strong>Hugo Langlade<strong> \u2014 Production<\/strong> Lavinia Johnson <strong>\u2014<\/strong> <strong>Directrice de casting<\/strong>\u00a0 Minna Prader <strong>\u2014 Assistante de casting<\/strong> Cl\u00e9mence Touzet <strong>\u2014<\/strong> <strong>Soutien \u00e0 la recherche des adolescent\u00b7e\u00b7x\u00b7s<\/strong> Audrey Bersier <strong>\u2014 Production<\/strong> Cie A M A <strong>\u2014 Coproduction<\/strong> Pavillon ADC, Th\u00e9\u00e2tre Vidy-Lausanne <strong>\u2014 Soutiens<\/strong> Ville de Gen\u00e8ve (Bourse d\u2019aide \u00e0 la recherche), Fondation suisse pour la culture Pro Helvetia, Loterie Romande. Ces spectacles sont organis\u00e9s dans le cadre du fonds de coproduction de Reso &#8211; R\u00e9seau Danse Suisse, avec le soutien de la Fondation suisse pour la culture Pro Helvetia et des cantons.<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_459782de60a91526d23da98653fd3c80 class=\"c-block c-block-acc has_color b-accordeon-en b-accordeon accordion align\">\n  <button id=\"accordeon-block_459782de60a91526d23da98653fd3c80\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">EN<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>Dances to pop music lasting only a handful of seconds. Hands, arms, looks. Viral capsules in the verticality of the telephone. Identities copied, endlessly declined. With <em>TikTok-Ready Choreographies<\/em>, Anna-Marija Adomaityte continues her research into the exhaustion of movement, with a group of young swiss TikTokers.<\/p>\n\n  <\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped columns-1 wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"30865\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2023\/11\/PAVADC_Anna-Marija-Adomaityte_TikTok-Ready-Choreographies_DR-1024x683.jpg\" alt=\"\" class=\"wp-image-30865\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/11\/PAVADC_Anna-Marija-Adomaityte_TikTok-Ready-Choreographies_DR-1024x683.jpg 1024w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/11\/PAVADC_Anna-Marija-Adomaityte_TikTok-Ready-Choreographies_DR-300x200.jpg 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/11\/PAVADC_Anna-Marija-Adomaityte_TikTok-Ready-Choreographies_DR-768x512.jpg 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/11\/PAVADC_Anna-Marija-Adomaityte_TikTok-Ready-Choreographies_DR.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2024\/04\/TikTokReady_\u00a9Marie_Brocher_19.jpeg\" data-rel=\"lightbox-gallery-TLnx0hMo\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-id=\"32153\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2024\/04\/TikTokReady_\u00a9Marie_Brocher_19-1024x682.jpeg\" alt=\"\" class=\"wp-image-32153\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2024\/04\/TikTokReady_\u00a9Marie_Brocher_19-1024x682.jpeg 1024w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2024\/04\/TikTokReady_\u00a9Marie_Brocher_19-300x200.jpeg 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2024\/04\/TikTokReady_\u00a9Marie_Brocher_19-768x512.jpeg 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2024\/04\/TikTokReady_\u00a9Marie_Brocher_19-1320x880.jpeg 1320w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2024\/04\/TikTokReady_\u00a9Marie_Brocher_19.jpeg 1454w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">\u00a9 Marie Brocher<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"32155\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2023\/10\/anna-marija-adomaityte-tiktok-ready-choreographies-2024-4-1024x683.jpeg\" alt=\"Anna-Marija Adomaityte - TikTok-Ready Choreographies \/ 2024 4\" class=\"wp-image-32155\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/10\/anna-marija-adomaityte-tiktok-ready-choreographies-2024-4-1024x683.jpeg 1024w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/10\/anna-marija-adomaityte-tiktok-ready-choreographies-2024-4-300x200.jpeg 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/10\/anna-marija-adomaityte-tiktok-ready-choreographies-2024-4-768x512.jpeg 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/10\/anna-marija-adomaityte-tiktok-ready-choreographies-2024-4-1536x1024.jpeg 1536w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/10\/anna-marija-adomaityte-tiktok-ready-choreographies-2024-4-1320x880.jpeg 1320w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/10\/anna-marija-adomaityte-tiktok-ready-choreographies-2024-4.jpeg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Marie Brocher<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-id=\"32154\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2024\/04\/TikTokReady_\u00a9Marie_Brocher_12-1024x682.jpeg\" alt=\"\" class=\"wp-image-32154\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2024\/04\/TikTokReady_\u00a9Marie_Brocher_12-1024x682.jpeg 1024w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2024\/04\/TikTokReady_\u00a9Marie_Brocher_12-300x200.jpeg 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2024\/04\/TikTokReady_\u00a9Marie_Brocher_12-768x512.jpeg 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2024\/04\/TikTokReady_\u00a9Marie_Brocher_12-1536x1023.jpeg 1536w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2024\/04\/TikTokReady_\u00a9Marie_Brocher_12-1320x879.jpeg 1320w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2024\/04\/TikTokReady_\u00a9Marie_Brocher_12.jpeg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Marie Brocher<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"818\" height=\"74\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2024\/04\/Capture-decran-2024-04-10-a-15.51.57.png\" alt=\"\" class=\"wp-image-32197\" style=\"width:497px;height:auto\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2024\/04\/Capture-decran-2024-04-10-a-15.51.57.png 818w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2024\/04\/Capture-decran-2024-04-10-a-15.51.57-300x27.png 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2024\/04\/Capture-decran-2024-04-10-a-15.51.57-768x69.png 768w\" sizes=\"auto, (max-width: 818px) 100vw, 818px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"1080\" style=\"aspect-ratio: 1620 \/ 1080;\" width=\"1620\" controls src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2024\/04\/AMA_repeteTikTokV6-4.mov\"><\/video><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a9 Elie Grappe &#8211; Extrait des r\u00e9p\u00e9titions en cr\u00e9ation<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2014 T\u00e9l\u00e9charger la feuille de salle Concept et chor\u00e9graphie Anna-Marija Adomaityte \u2014 Cr\u00e9ation sonore et lumi\u00e8re, direction technique Gautier Teuscher \u2014 Interpr\u00e9tation Adriana Amos, Charlotte Laurient, Lou Bertossa, Edith Nordmann, Louane Pericot, M\u00e9gane Belomo, Alessia Pierdomenico&nbsp;\u2014 Collaboration \u00e0 l\u2019\u00e9criture chor\u00e9graphique,&nbsp;r\u00e9f\u00e9rent&nbsp; Victor Poltier \u2014 Directrice de casting Minna Prader \u2014 Costumes Wato \u2014 Diffusion Tristan Barani &hellip; <a href=\"https:\/\/archives.adc-geneve.ch\/2126\/spectacle\/anna-marija-adomaityte-tiktok-ready-choreographies-2024\/\">Continued<\/a><\/p>\n","protected":false},"featured_media":30196,"template":"","categories":[17],"tags":[],"saison":[29],"periode":[31],"class_list":["post-29695","spectacle","type-spectacle","status-publish","has-post-thumbnail","hentry","category-spectacle","saison-23-24","periode-janv-juin-2024"],"acf":[],"_links":{"self":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/29695","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle"}],"about":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/types\/spectacle"}],"version-history":[{"count":0,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/29695\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/media\/30196"}],"wp:attachment":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/media?parent=29695"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/categories?post=29695"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/tags?post=29695"},{"taxonomy":"saison","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/saison?post=29695"},{"taxonomy":"periode","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/periode?post=29695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}