{"id":28601,"date":"2023-05-30T16:17:03","date_gmt":"2023-05-30T14:17:03","guid":{"rendered":"https:\/\/pavillon-adc.ch\/?post_type=spectacle&#038;p=28601"},"modified":"2023-06-22T16:23:37","modified_gmt":"2023-06-22T14:23:37","slug":"la-ribot-sol-y-sombra","status":"publish","type":"spectacle","link":"https:\/\/archives.adc-geneve.ch\/2126\/spectacle\/la-ribot-sol-y-sombra\/","title":{"rendered":"La Ribot &#8211; Sol y sombra"},"content":{"rendered":"\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div data-block_a71c71aaf5fe28347f2455139e77ca57 class=\"c-block c-block-spectacle-header spectacle-header align\">\n\n            <h1 class=\"b-spectacle-header__auteur font-sans font-bold text-6xl md:text-4xl leading-none md:pr-4 border-0 pb-0 mb-1\">La Ribot Ensemble<\/h1>\n        <span class=\"b-spectacle-header__titre font-serif italic block text-5xl md:text-3xl  leading-none w-auto md:w-full md:inline\">Sol y sombra<\/span>    \n    <p class=\"text-xl font-bold\">\n    sa 17, je 22, ve 23 et sa 24 juin       \/ cr\u00e9ations 2023         <br> \u2014 sans r\u00e9servation, entr\u00e9e libre     \n        \n        <\/p>\n\n        <div class=\"pt-1 text-xl border-t border-black\"><p><strong>Dans le cadre de OCCUPATION par La Ribot Ensemble du ve 16 au sa 24 juin.<\/strong><\/p>\n<p class=\"p1\"><span class=\"s1\">Sur une id\u00e9e de La Ribot, les artistes de La Ribot Ensemble, Piera Bellato, Ludovico Paladini, Lisa Laurent, Mathilde Invernon, Juan Loriente, Thami Manekehla cr\u00e9ent un programme de pi\u00e8ces chor\u00e9graphiques con\u00e7ues pour les espaces de l\u2019ADC. D\u2019une extr\u00e9mit\u00e9 \u00e0 l\u2019autre de la place Sturm et du Pavillon, les artistes convient spectateurs et spectatrices \u00e0 une d\u00e9ambulation physique et mentale faite de rencontres surprenantes, de perspectives inattendues et de jeux de clair-obscur, \u00e0 la lumi\u00e8re du soleil d\u2019\u00e9t\u00e9 jusqu\u2019\u00e0 son extinction.<\/span><\/p>\n<\/div>\n    <\/div>\n\n\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:17px\"><strong>SA 17 JUIN <\/strong><br>18h00 \u2014\u00a0<em>Ombregraphie<\/em>\u00a0de Ludovico Paladini (20&prime;)<br>18h20 \u2014\u00a0<em>Cuando llega<\/em>\u00a0<em>la verguenza<\/em> de Mathilde Invernon (30&prime;)<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:17px\"><strong>JE 22 ET VE 23 JUIN<\/strong><br>19h00 <em>\u2014 Ombregraphie<\/em>\u00a0de Ludovico Paladini (20&prime;)<br>19h20 <em>\u2014 Cuando llega la verg\u00fcenza<\/em>\u00a0de Mathilde Invernon (40&prime;)<br>20h00 \u2014\u00a0<em>Ang\u00e9luX in Kingston, Jamaica<\/em>\u00a0de Juan Loriente (25&prime;)<br>21h00 <em>\u2014 Pi\u00e8ce distingu\u00e9e N\u00ba59<\/em>\u00a0de La Ribot (20&prime;)<br>21h30 <em>\u2014 Kill time and it will return the favor<\/em>\u00a0de Lisa Laurent (15&prime;)<br>21h40 <em>\u2014 Corofobia<\/em>\u00a0de Piera Bellato (2x 20&prime;)<br>22h20 <em>\u2014<\/em> <em>An effort to fulfill desires<\/em>\u00a0de Thami Manekehla (30&prime;)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:17px\"><strong>SA 24 JUIN \u2014 18H<\/strong><br>\u2014\u00a0<em>AngeluX in Kingston, Jamaica<\/em>\u00a0de Juan Loriente (25&prime;)<br>\u2014\u00a0<em>Cuando llega la verguenza<\/em>\u00a0de Mathilde Invernon (40&prime;)<br>\u2014\u00a0<em>Corofobia<\/em>\u00a0de Piera Bellato (2x 20&prime;)<\/p>\n\n\n<div data-block_c3800180ce01b30c72e558d78082a069 class=\"c-block c-block-acc has_color b-accordeon-detail-des-pieces b-accordeon accordion align\">\n  <button id=\"accordeon-block_c3800180ce01b30c72e558d78082a069\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">D\u00e9tail des pi\u00e8ces<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>&nbsp;<\/p>\n<p class=\"p1\"><span class=\"s1\"><em><b>\u2014 Ang\u00e9luX in Kingston, Jamaica<\/b><\/em><strong> de Juan Loriente<\/strong><br \/>\nDur\u00e9e\u00a0: 20 min<br \/>\n<\/span><span class=\"s1\">C\u2019est l\u2019heure de l\u2019Ang\u00e9lus \/ C\u2019est l\u2019heure de s\u2019arr\u00eater \/ De s\u2019arr\u00eater dans le quotidien \/ De s\u2019arr\u00eater dans la danse \/ Une forme ext\u00e9rieure d\u2019immobilit\u00e9 \/ Une forme int\u00e9rieure de mouvement \/ Arr\u00eater le mouvement et respirer le calme \/ \u00catre vivant\u00b7es dans la qui\u00e9tude \/ Quiteria et Basilio \/ Cervant\u00e8s \/ Don Quichotte \/ Marius Petipa 1869 \/ Lucette Aldous et Rudolf Noureev 1973 \/ Sol y sombra 2023.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><strong><i><em><b>\u2014 <\/b><\/em>Ombregraphie <\/i>de Ludovico Paladini<\/strong><br \/>\nDur\u00e9e\u00a0: 20 min<br \/>\n<\/span><span class=\"s1\">Une partition al\u00e9atoire pour des corps ensoleill\u00e9s, une tentative de cr\u00e9er un mouvement indirect, instinctif, inspir\u00e9, mais d\u00e9fini. La relation entre le corps et sa projection est invers\u00e9e, l&rsquo;ombre ne nous suit plus, elle nous guide.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><strong><i><em><b>\u2014 <\/b><\/em>Cuando llega la verg\u00fcenza <\/i>de Mathilde Invernon<\/strong><br \/>\nDur\u00e9e : 30 min<br \/>\n<\/span><span class=\"s1\">Quel go\u00fbt a l\u2019ombre ? Dans les creux et les espaces d\u2019ombres du Pavillon ADC, comme au confessionnal, les corps r\u00e9v\u00e8lent leur honte. <\/span><\/p>\n<p class=\"p2\"><span class=\"s1\"><strong><i><em><b>\u2014 <\/b><\/em>Pi\u00e8ce distingu\u00e9e N\u00ba59<\/i> de La Ribot<\/strong><br \/>\nDur\u00e9e\u00a0: 30 min<br \/>\n<\/span><span class=\"s1\"><i>Pi\u00e8ce distingu\u00e9e N\u00ba59<\/i> s\u2019inscrit dans une s\u00e9rie interne du projet \u00e9ponyme, o\u00f9 la peinture liquide se renverse sur les corps et les tache irr\u00e9m\u00e9diablement. Si dans les trois pi\u00e8ces pr\u00e9c\u00e9dentes, la couleur \u00e9voquait des \u00e9l\u00e9ments min\u00e9raux ou organiques, <i>Pi\u00e8ce distingu\u00e9e N\u00ba59<\/i> appr\u00e9hende cette fois l\u2019immat\u00e9rialit\u00e9 de la lumi\u00e8re. Juste avant le cr\u00e9puscule, le couple form\u00e9 par Juan Loriente et La Ribot enti\u00e8rement recouvert d\u2019or, miroite les derniers rayons du soleil.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><strong><i><em><b>\u2014 <\/b><\/em>Corofobia<\/i> de Piera Bellato<\/strong><br \/>\nDur\u00e9e\u00a0: 30 min<br \/>\n<\/span><span class=\"s1\">Remettre un soup\u00e7on de tarentisme dans le corps contemporain. Pour explorer l\u2019un des derniers rituels magiques bien vivants, la danse, la sc\u00e8ne.\u00a0Un moment de l\u2019intime \u00e0 partager avec les spectateur\u00b7ices. Pour explorer un h\u00e9ritage de danses interdites, parce que perturbatrices, puissantes, et parce que ce qui menace le pouvoir fait bien trop peur. \u00c0 mettre en parall\u00e8le, aussi, pour les interpr\u00e8tes, avec un rite de passage d\u2019une sc\u00e8ne \u00e0 l\u2019autre.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Remerciements : Salvatore Bevilacqua, Yohan Jacquier, Odile Wieder et Renaud Jacquier Stajnowicz.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b><i><em>\u2014 <\/em>Kill time and it will return the favor<\/i><\/b><strong> de Lisa Laurent<\/strong><br \/>\nDur\u00e9e : 15 min<br \/>\n<\/span><span class=\"s1\">Si mon travail est stimulant pour le public dans son \u00e9tat actuel de d\u00e9veloppement, j&rsquo;ai beaucoup de chance, mais si ce n&rsquo;est pas le cas, je dois me r\u00e9signer \u00e0 abandonner mon r\u00eave d&rsquo;enfant. \u2013 librement adapt\u00e9 de <i>The Art of making Dances<\/i> (\u00e9d. Rinehart, 1959) de Doris Humphrey.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><strong><i><em><b>\u2014 <\/b><\/em>An Effort to fulfill desires<\/i> de Thami Manekehla<\/strong><br \/>\nDur\u00e9e : 30 min<br \/>\n<\/span><span class=\"s1\"><i>An Effort to fulfill desires<\/i> propose un espace plong\u00e9 dans l\u2019ombre comme lieu imaginaire de rencontre entre la chor\u00e9graphie, les interpr\u00e8tes et le public. Abolissant l&rsquo;architecture du th\u00e9\u00e2tre et toute forme visible, l\u2019obscurit\u00e9 profonde permet aux voix de devenir l&rsquo;incarnation active de souvenirs, dans un temps suspendu.<\/span><\/p>\n\n  <\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Cr\u00e9ation et interpr\u00e9tation<\/strong>&nbsp;Piera Bellato, Ludovico Paladini, Lisa Laurent, Mathilde Invernon, Juan Loriente, Thami Manekehla, La Ribot \u2014 <strong>Directrice technique<\/strong>&nbsp;Marie Pr\u00e9dour \u2014 <strong>Directrice de production<\/strong>&nbsp;Aude Martino \u2014<strong> Assistante de production<\/strong>&nbsp;Iris Obadia \u2014 <strong>Administrateur<\/strong> Gonzague Bochud \u2014 <strong>Production&nbsp;<\/strong>La Ribot Ensemble<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div data-block_bf38a2d439baa09a531eab297c14b13c class=\"c-block c-block-acc has_color b-accordeon-bio b-accordeon accordion align\">\n  <button id=\"accordeon-block_bf38a2d439baa09a531eab297c14b13c\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Bio<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p class=\"p1\"><span class=\"s1\"><b>LA RIBOT<br \/>\n<\/b><\/span><span class=\"s1\">Direction et chor\u00e9graphie<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">N\u00e9e \u00e0 Madrid, La Ribot vit et travaille \u00e0 Gen\u00e8ve. Inaugur\u00e9e dans le vent de lib\u00e9ration de l\u2019Espagne des ann\u00e9es 80, la pratique de La Ribot a profond\u00e9ment modifi\u00e9 le champ de la danse contemporaine. Empruntant librement aux vocabulaires du th\u00e9\u00e2tre, des arts visuels, de la performance, du film, le travail de cette artiste met l\u2019accent sur les points de frictions entre des disciplines et de domaines.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">La danse est ainsi pour elle le point de d\u00e9part d\u2019exp\u00e9rimentations multiples ancr\u00e9es dans les langages du corps. Mais aussi le lieu d\u2019une n\u00e9gociation entre des cadres distincts qui donnent au corps une place pr\u00e9cise et ce travail tend \u00e0 modifier: le mus\u00e9e, la sc\u00e8ne, la vid\u00e9o art.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Son travail chor\u00e9graphique a \u00e9t\u00e9 pr\u00e9sent\u00e9 entre autres \u00e0 : la Tate Modern (Londres), au Th\u00e9\u00e2tre de la Ville de Paris, au Centre Pompidou (Paris), au festival d\u2019Automne \u00e0 Paris, au Mus\u00e9e Reina Sofia (Madrid), dans le cadre de la Triennale d\u2019A\u00efchi (Nagoya, Japon), \u00e0 la galerie Soledad Lorenzo (Madrid), au mus\u00e9e Serralves (Porto), \u00e0 Art Unlimited \u2013 Art Basel, au S.M.A.K. (Gant), dans le cadre de Panorama Rio de Janeiro, au MUAC (Museo Universitario de Arte Contempor\u00e1neo, Mexico DF).<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Son travail visuel fait partie des collections : du Centre Pompidou (Paris), du CNAP-Centre national des arts plastiques (Paris), du MUSAC-Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n, de l\u2019Artium- Centro-Museo vasco de arte contempor\u00e1neo, du FRAC Fonds R\u00e9gional d\u2019Art Contemporain (Lorraine), de La Panera (Lleida), du Fundaci\u00f3n Cajasol (S\u00e9ville) et La Casa Encendida (Madrid).<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">En 2017, le festival Tanz im August de HAU Hebbel am Ufer lui consacre sa premi\u00e8re grande r\u00e9trospective intitul\u00e9e\u00a0<\/span><span class=\"s2\"><i>Occuuppatiooon! Berlin<\/i><\/span><span class=\"s1\">. Le Festival d\u2019Automne \u00e0 Paris lui d\u00e9die un Portrait dans son \u00e9dition 2019, r\u00e9unissant 5 spectacles et une exposition en deux parties.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Elle re\u00e7oit le Prix national de danse du minist\u00e8re de la culture espagnole en 2000 et en 2015, elle est d\u00e9cor\u00e9e de la M\u00e9daille d\u2018or du m\u00e9rite des beaux-arts en Espagne. La Ribot s\u2019est vue d\u00e9cern\u00e9e le Prix de la Culture de Madrid 2018 dans la cat\u00e9gorie des Arts plastiques et, en 2019, l\u2019Office f\u00e9d\u00e9ral de la Culture l\u2019honore du Grand Prix suisse de la danse.<\/span><\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_5377750306cfadfb0ff41ed64cf536e9 class=\"c-block c-block-acc has_color b-accordeon-en b-accordeon accordion align\">\n  <button id=\"accordeon-block_5377750306cfadfb0ff41ed64cf536e9\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">EN<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>Bathed in the light of the summer solstice, La Ribot Ensemble take over the spaces of the Pavillon to multiply points of view. Two weekends to juggle between repertoire pieces and new creations.<\/p>\n\n  <\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"801\" height=\"1024\" data-id=\"28665\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2023\/06\/Ludovico-Paladini_Ombregraphie_Sol-y-sombra2023_phLudovico-Paladini-801x1024.jpg\" alt=\"\" class=\"wp-image-28665\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Ludovico-Paladini_Ombregraphie_Sol-y-sombra2023_phLudovico-Paladini-801x1024.jpg 801w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Ludovico-Paladini_Ombregraphie_Sol-y-sombra2023_phLudovico-Paladini-235x300.jpg 235w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Ludovico-Paladini_Ombregraphie_Sol-y-sombra2023_phLudovico-Paladini-768x982.jpg 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Ludovico-Paladini_Ombregraphie_Sol-y-sombra2023_phLudovico-Paladini-1201x1536.jpg 1201w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Ludovico-Paladini_Ombregraphie_Sol-y-sombra2023_phLudovico-Paladini-1601x2048.jpg 1601w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Ludovico-Paladini_Ombregraphie_Sol-y-sombra2023_phLudovico-Paladini-1320x1688.jpg 1320w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Ludovico-Paladini_Ombregraphie_Sol-y-sombra2023_phLudovico-Paladini-scaled.jpg 2002w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><figcaption class=\"wp-element-caption\"><em>Ombregraphie<\/em> \u00a9 Ludovico Paladini <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"1024\" data-id=\"28666\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2023\/06\/Mathilde-Invernon_Cuando-llega-la-verguenza_Sol-y-sombra-2023_phIris-Obadia-576x1024.jpg\" alt=\"\" class=\"wp-image-28666\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Mathilde-Invernon_Cuando-llega-la-verguenza_Sol-y-sombra-2023_phIris-Obadia-576x1024.jpg 576w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Mathilde-Invernon_Cuando-llega-la-verguenza_Sol-y-sombra-2023_phIris-Obadia-169x300.jpg 169w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Mathilde-Invernon_Cuando-llega-la-verguenza_Sol-y-sombra-2023_phIris-Obadia-768x1365.jpg 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Mathilde-Invernon_Cuando-llega-la-verguenza_Sol-y-sombra-2023_phIris-Obadia-864x1536.jpg 864w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Mathilde-Invernon_Cuando-llega-la-verguenza_Sol-y-sombra-2023_phIris-Obadia-1152x2048.jpg 1152w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Mathilde-Invernon_Cuando-llega-la-verguenza_Sol-y-sombra-2023_phIris-Obadia-1320x2347.jpg 1320w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Mathilde-Invernon_Cuando-llega-la-verguenza_Sol-y-sombra-2023_phIris-Obadia-scaled.jpg 1440w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><figcaption class=\"wp-element-caption\"><em>Cuando llega la verguenza<\/em> \u00a9 Iris Obadia<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"670\" data-id=\"28667\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2023\/06\/Piera-Bellato_Corofobia_Sol-y-sombra2023_phPiera-Bellato-1024x670.jpg\" alt=\"\" class=\"wp-image-28667\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Piera-Bellato_Corofobia_Sol-y-sombra2023_phPiera-Bellato-1024x670.jpg 1024w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Piera-Bellato_Corofobia_Sol-y-sombra2023_phPiera-Bellato-300x196.jpg 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Piera-Bellato_Corofobia_Sol-y-sombra2023_phPiera-Bellato-768x502.jpg 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Piera-Bellato_Corofobia_Sol-y-sombra2023_phPiera-Bellato-1536x1005.jpg 1536w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Piera-Bellato_Corofobia_Sol-y-sombra2023_phPiera-Bellato-2048x1340.jpg 2048w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Piera-Bellato_Corofobia_Sol-y-sombra2023_phPiera-Bellato-1320x863.jpg 1320w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Corofobia<\/em> \u00a9 Piera Bellato <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"680\" data-id=\"28664\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2023\/06\/Lisa-Laurent_Kill-time_Sol-y-sombra-2023_phLisa-Laurent.png\" alt=\"\" class=\"wp-image-28664\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Lisa-Laurent_Kill-time_Sol-y-sombra-2023_phLisa-Laurent.png 1000w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Lisa-Laurent_Kill-time_Sol-y-sombra-2023_phLisa-Laurent-300x204.png 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Lisa-Laurent_Kill-time_Sol-y-sombra-2023_phLisa-Laurent-768x522.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\"><em>Kill time and it will return the favor<\/em> \u00a9 Lisa Laurent <\/figcaption><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"28669\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2023\/05\/la-ribot-sol-y-sombra-2-1024x683.jpg\" alt=\"La Ribot - Sol y sombra\" class=\"wp-image-28669\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/05\/la-ribot-sol-y-sombra-2-1024x683.jpg 1024w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/05\/la-ribot-sol-y-sombra-2-300x200.jpg 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/05\/la-ribot-sol-y-sombra-2-768x512.jpg 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/05\/la-ribot-sol-y-sombra-2-1536x1024.jpg 1536w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/05\/la-ribot-sol-y-sombra-2-2048x1365.jpg 2048w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/05\/la-ribot-sol-y-sombra-2-1320x880.jpg 1320w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>An effort to fufill desires<\/em> \u00a9 Thami Manekehla <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"944\" data-id=\"28662\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2023\/06\/Juan-Loriente_AngeluX_Sol-y-sombra-2023_phJuan-Loriente-1024x944.jpg\" alt=\"\" class=\"wp-image-28662\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Juan-Loriente_AngeluX_Sol-y-sombra-2023_phJuan-Loriente-1024x944.jpg 1024w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Juan-Loriente_AngeluX_Sol-y-sombra-2023_phJuan-Loriente-300x277.jpg 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Juan-Loriente_AngeluX_Sol-y-sombra-2023_phJuan-Loriente-768x708.jpg 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Juan-Loriente_AngeluX_Sol-y-sombra-2023_phJuan-Loriente-1536x1416.jpg 1536w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Juan-Loriente_AngeluX_Sol-y-sombra-2023_phJuan-Loriente-2048x1888.jpg 2048w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2023\/06\/Juan-Loriente_AngeluX_Sol-y-sombra-2023_phJuan-Loriente-1320x1217.jpg 1320w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>AngeluX in Kingston, Jamaica<\/em> \u00a9 Juan Loriente <\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>SA 17 JUIN 18h00 \u2014\u00a0Ombregraphie\u00a0de Ludovico Paladini (20&prime;)18h20 \u2014\u00a0Cuando llega\u00a0la verguenza de Mathilde Invernon (30&prime;) JE 22 ET VE 23 JUIN19h00 \u2014 Ombregraphie\u00a0de Ludovico Paladini (20&prime;)19h20 \u2014 Cuando llega la verg\u00fcenza\u00a0de Mathilde Invernon (40&prime;)20h00 \u2014\u00a0Ang\u00e9luX in Kingston, Jamaica\u00a0de Juan Loriente (25&prime;)21h00 \u2014 Pi\u00e8ce distingu\u00e9e N\u00ba59\u00a0de La Ribot (20&prime;)21h30 \u2014 Kill time and it will return &hellip; <a href=\"https:\/\/archives.adc-geneve.ch\/2126\/spectacle\/la-ribot-sol-y-sombra\/\">Continued<\/a><\/p>\n","protected":false},"featured_media":26165,"template":"","categories":[17],"tags":[],"saison":[24],"periode":[27],"class_list":["post-28601","spectacle","type-spectacle","status-publish","has-post-thumbnail","hentry","category-spectacle","saison-22-23","periode-janv-juin-2023"],"acf":[],"_links":{"self":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/28601","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle"}],"about":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/types\/spectacle"}],"version-history":[{"count":0,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/28601\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/media\/26165"}],"wp:attachment":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/media?parent=28601"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/categories?post=28601"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/tags?post=28601"},{"taxonomy":"saison","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/saison?post=28601"},{"taxonomy":"periode","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/periode?post=28601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}