{"id":25293,"date":"2022-10-17T12:41:28","date_gmt":"2022-10-17T10:41:28","guid":{"rendered":"https:\/\/pavillon-adc.ch\/?post_type=spectacle&#038;p=25293"},"modified":"2023-02-06T15:53:28","modified_gmt":"2023-02-06T14:53:28","slug":"nadia-beugre-2023","status":"publish","type":"spectacle","link":"https:\/\/archives.adc-geneve.ch\/2126\/spectacle\/nadia-beugre-2023\/","title":{"rendered":"Nadia Beugr\u00e9 &#8211; 2023"},"content":{"rendered":"\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div data-block_726d39de422e09d8067e812700b96ce6 class=\"c-block c-block-spectacle-header spectacle-header align\">\n\n            <h1 class=\"b-spectacle-header__auteur font-sans font-bold text-6xl md:text-4xl leading-none md:pr-4 border-0 pb-0 mb-1\">Nadia Beugr\u00e9<\/h1>\n        <span class=\"b-spectacle-header__titre font-serif italic block text-5xl md:text-3xl  leading-none w-auto md:w-full md:inline\">L&#039;Homme rare<\/span>    \n    <p class=\"text-xl font-bold\">\n    ma 7 \u2014 me 8 f\u00e9v \u00e0 20h      \/ COMPLET &#8211; liste d&#039;attente sur place          <br> dur\u00e9e 65&#039;     <br> pi\u00e8ce de groupe \u2014 nudit\u00e9 \n        \n        <span class=\"block my-4 md:my-2\">\n      <a href=\"https:\/\/etickets.infomaniak.com\/shop\/ms2xCGCoQM\/\" class=\"border-b-0 btn-form\" target=\"_blank\"> RESERVER OU ACHETER <\/a>\n      <\/span>\n        <\/p>\n\n        <div class=\"pt-1 text-xl border-t border-black\"><p class=\"p1\"><span class=\"s1\">Cinq hommes de dos, nus, sur des talons. Nadia Beugr\u00e9 d\u00e9fie ici les assignations de genre comme le regard du public. Un essai qui emprunte ses formes \u00e0 diff\u00e9rents styles de danse et red\u00e9finit les formatages de la masculinit\u00e9, les st\u00e9r\u00e9otypes et les <i>a priori<\/i>.<\/span><\/p>\n<p>Accueil en collaboration avec le Festival Antigel<\/p>\n<\/div>\n    <\/div>\n\n\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Cr\u00e9ation et chor\u00e9graphie<\/strong> Nadia Beugr\u00e9 \u2014 <strong>Interpr\u00e8tes<\/strong>&nbsp;Lucas Nicot, Daouda Keita, Nadim Bahsoun, Tahi Vadel Guei, Marius Moguiba \u2014 <strong>Direction technique et lumi\u00e8res<\/strong> Anthony Merlaud \u2014 <strong>Lumi\u00e8res<\/strong> Beatriz Kaysel Velasco \u2014 <strong>Musique<\/strong> Serge Gainsbourg, Lucas Nicot, Percussions d\u2019Obilo \u2014 <strong>Regard ext\u00e9rieur<\/strong> Faustin Linyekula \u2014 <strong>Production et diffusion <\/strong>Virginie Dupray \/ Libr\u2019Arts avec le soutien de Latitudes Contemporaines et Studios Kabako<\/p>\n\n\n<div data-block_c2963d4b7eed49cd31ad31d2744c02c0 class=\"c-block c-block-acc has_color b-accordeon-dinfos-sur-la-piece b-accordeon accordion align\">\n  <button id=\"accordeon-block_c2963d4b7eed49cd31ad31d2744c02c0\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">+ d&rsquo;infos sur la pi\u00e8ce<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p class=\"p1\"><span class=\"s1\">Sur sc\u00e8ne, cinq interpr\u00e8tes masculins, tant\u00f4t unis, tant\u00f4t isol\u00e9s, jouent de la nudit\u00e9, presque toujours de dos, li\u00e9s par une construction chor\u00e9graphique commune autour de la souplesse du bassin, de d\u00e9hanch\u00e9s ondulants ou rapides : des mouvements issus des recherches que Nadia Beugr\u00e9 m\u00e8ne depuis quelques ann\u00e9es sur certaines danses urbaines \u00e0 travers le monde, notamment au Br\u00e9sil. Qu\u2019est-ce qui d\u00e9finit et distingue le corps masculin ? Comment se d\u00e9faire des assignations et des <i>a priori<\/i> projet\u00e9s sur un corps nu\u00a0? Sur un corps noir\u00a0? Avec <i>L\u2019Homme rare,\u00a0 <\/i>la chor\u00e9graphe cherche ce qui caract\u00e9rise et ce qui exclut, ce qui fige et ce qui est lib\u00e8re, ce qui est attendu et ce qui nous \u00e9chappe. Irr\u00e9m\u00e9diablement\u2026<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Pi\u00e8ce sur le point de vue, <i>L\u2019Homme rare<\/i> questionne en nous le voyeur la voyeuse, mais aussi le regard occidental sur des corps noirs.<\/span><\/p>\n\n  <\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div data-block_2f1334f37227da0a9b197307e5b26382 class=\"c-block c-block-acc has_color b-accordeon-bio b-accordeon accordion align\">\n  <button id=\"accordeon-block_2f1334f37227da0a9b197307e5b26382\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Bio<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p class=\"p1\"><span class=\"s1\">Nadia Beugr\u00e9 fait ses premiers pas de danse traditionnelle \u00e0 Abidjan. En 1997, elle rencontre B\u00e9atrice Komb\u00e9, avec qui elle apprend que la sc\u00e8ne est un <i>tatami<\/i>, un ring sur lequel tout peut arriver. La danseuse int\u00e8gre en 2009 le programme ex.e.r.ce sous la direction de Mathilde Monnier au Centre Chor\u00e9graphique de Montpellier. Elle commence \u00e0 y travailler la mati\u00e8re d\u2019un premier solo, <i>Quartiers Libres<\/i> (2012). Suivent <i>Legacy<\/i> (2015), <i>Tapis<\/i> <i>Rouge<\/i> (2017), <i>Roukasskass<\/i> <i>Club<\/i> (2019). Elle rencontre ensuite Alain Buffard pour qui elle interpr\u00e8te <i>Mauvais genre<\/i> et <i>Baron Samedi<\/i>. Nadia Beugr\u00e9 a aussi collabor\u00e9 avec Seydou Boro, Doroth\u00e9e Munyaneza, Boris Charmatz, R\u00e9my H\u00e9ritier, Bernardo Montet et Robyn Orlin. Elle est artiste associ\u00e9e au Vooruit de Gand (Belgique) et \u00e0 la Briqueterie de Vitry-sur-Seine.<\/span><\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_3525675799a2ef20bacfa549a3e92d97 class=\"c-block c-block-acc has_color b-accordeon-credits b-accordeon accordion align\">\n  <button id=\"accordeon-block_3525675799a2ef20bacfa549a3e92d97\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Cr\u00e9dits<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p class=\"p1\"><span class=\"s1\"><strong>Coproduction<\/strong>\u00a0<\/span><span class=\"s1\">Kunstenfestivaldesarts, Bruxelles, Belgique \/ <\/span><span class=\"s1\">Th\u00e9\u00e2tre de la Ville, Festival d\u2019Automne \u00e0 Paris, France \/ <\/span><span class=\"s6\">Montpellier Danse 2019\/2020 r\u00e9sidence de cr\u00e9ation \u00e0 l\u2019Agora, cit\u00e9 internationale de la danse, avec le soutien de la Fondation BNP Paribas \/ <\/span><span class=\"s1\">CCN2, Centre Chor\u00e9graphique National de Grenoble, France \/ <\/span><span class=\"s1\">Centre Chor\u00e9graphique National d\u2019Orl\u00e9ans, France \u2013 direction Maud Le Pladec \/ <\/span><span class=\"s1\">Kunstencentrum Vooruit, Gand, Belgique \/ <\/span><span class=\"s1\">Mus\u00e9e de la Danse, Centre Chor\u00e9graphique National de Rennes et de Bretagne, France \/ <\/span><span class=\"s1\">BIT Teater garasjen, Bergen, Norv\u00e8ge \/ <\/span><span class=\"s1\">Th\u00e9\u00e2tre de N\u00eemes, France<br \/>\n<\/span><span class=\"s2\"><strong>Avec le soutien de<\/strong> L\u2019\u00e9changeur CDCN Hauts-de France (Studio Libre), Ch\u00e2teau-Thierry, France et de la DRAC Occitanie (Aide \u00e0 la reprise) &#8211; Minist\u00e8re de la Culture et de la Communication.<\/span><\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_8b79dc449b2dc300b3343b8e675afeb7 class=\"c-block c-block-acc has_color b-accordeon-en b-accordeon accordion align\">\n  <button id=\"accordeon-block_8b79dc449b2dc300b3343b8e675afeb7\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">EN<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>Five naked men in heels turn their backs to us. Nadia Beugr\u00e9 defies gender roles and the viewer&rsquo;s gaze. An essay that borrows from different dance styles and redefines the formatting of masculinity, stereotypes and prejudices.<\/p>\n\n  <\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2022\/10\/nadia-beugre-2023-3-1024x683.jpg\" alt=\"Nadia Beugr\u00e9 - 2023 2\" class=\"wp-image-26591\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/nadia-beugre-2023-3-1024x683.jpg 1024w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/nadia-beugre-2023-3-300x200.jpg 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/nadia-beugre-2023-3-768x512.jpg 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/nadia-beugre-2023-3-1536x1024.jpg 1536w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/nadia-beugre-2023-3-2048x1365.jpg 2048w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/nadia-beugre-2023-3-1320x880.jpg 1320w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Ruben Pioline<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped columns-1 wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2022\/10\/HommeRare\u00a9Ruben-Pioline-scaled.jpg\" data-rel=\"lightbox-gallery-fWDpmVpo\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"25294\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2022\/10\/HommeRare\u00a9Ruben-Pioline-1024x683.jpg\" alt=\"\" class=\"wp-image-25294\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/HommeRare\u00a9Ruben-Pioline-1024x683.jpg 1024w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/HommeRare\u00a9Ruben-Pioline-300x200.jpg 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/HommeRare\u00a9Ruben-Pioline-768x512.jpg 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/HommeRare\u00a9Ruben-Pioline-1536x1024.jpg 1536w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/HommeRare\u00a9Ruben-Pioline-2048x1366.jpg 2048w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/HommeRare\u00a9Ruben-Pioline-1320x880.jpg 1320w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">\u00a9 Ruben Pioline<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Cr\u00e9ation et chor\u00e9graphie Nadia Beugr\u00e9 \u2014 Interpr\u00e8tes&nbsp;Lucas Nicot, Daouda Keita, Nadim Bahsoun, Tahi Vadel Guei, Marius Moguiba \u2014 Direction technique et lumi\u00e8res Anthony Merlaud \u2014 Lumi\u00e8res Beatriz Kaysel Velasco \u2014 Musique Serge Gainsbourg, Lucas Nicot, Percussions d\u2019Obilo \u2014 Regard ext\u00e9rieur Faustin Linyekula \u2014 Production et diffusion Virginie Dupray \/ Libr\u2019Arts avec le soutien de Latitudes &hellip; <a href=\"https:\/\/archives.adc-geneve.ch\/2126\/spectacle\/nadia-beugre-2023\/\">Continued<\/a><\/p>\n","protected":false},"featured_media":25368,"template":"","categories":[17],"tags":[],"saison":[24],"periode":[27],"class_list":["post-25293","spectacle","type-spectacle","status-publish","has-post-thumbnail","hentry","category-spectacle","saison-22-23","periode-janv-juin-2023"],"acf":[],"_links":{"self":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/25293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle"}],"about":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/types\/spectacle"}],"version-history":[{"count":0,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/25293\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/media\/25368"}],"wp:attachment":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/media?parent=25293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/categories?post=25293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/tags?post=25293"},{"taxonomy":"saison","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/saison?post=25293"},{"taxonomy":"periode","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/periode?post=25293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}