{"id":22968,"date":"2022-05-10T15:42:04","date_gmt":"2022-05-10T13:42:04","guid":{"rendered":"https:\/\/pavillon-adc.ch\/?post_type=spectacle&#038;p=22968"},"modified":"2022-12-02T18:55:45","modified_gmt":"2022-12-02T17:55:45","slug":"betty-tchomanga-2022","status":"publish","type":"spectacle","link":"https:\/\/archives.adc-geneve.ch\/2126\/spectacle\/betty-tchomanga-2022\/","title":{"rendered":"Betty Tchomanga &#8211; 2022"},"content":{"rendered":"\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div data-block_dd26c08d4606bb78244fcf43b73e472b class=\"c-block c-block-spectacle-header spectacle-header align\">\n\n            <h1 class=\"b-spectacle-header__auteur font-sans font-bold text-6xl md:text-4xl leading-none md:pr-4 border-0 pb-0 mb-1\">Betty Tchomanga<\/h1>\n        <span class=\"b-spectacle-header__titre font-serif italic block text-5xl md:text-3xl  leading-none w-auto md:w-full md:inline\">Le\u00e7ons de T\u00e9n\u00e8bres<\/span>    \n    <p class=\"text-xl font-bold\">\n    je 1 \u2014 sa 3 d\u00e9c \/ pi\u00e8ce de groupe             <br> je-ve 20h, sa 19h     <br> dur\u00e9e 80&#039; \n        \n        <span class=\"block my-4 md:my-2\">\n      <a href=\"https:\/\/etickets.infomaniak.com\/shop\/ReJKRX4apQ\/\" class=\"border-b-0 btn-form\" target=\"_blank\"> RESERVER OU ACHETER <\/a>\n      <\/span>\n        <\/p>\n\n        <div class=\"pt-1 text-xl border-t border-black\"><p>Les <em>Le\u00e7ons de T\u00e9n\u00e8bres<\/em> sont un ancien genre musical qui se lamente sur la chute de J\u00e9rusalem : celles de Betty Tchomanga pleurent la destruction de la plan\u00e8te. Traceurs du monde, des corps connect\u00e9s \u00e0 l\u2019histoire coloniale font ici lever des visions. Des m\u00e9tamorphoses. Des vibrations.<\/p>\n<p>Cr\u00e9ation 2022 \/ premi\u00e8re suisse<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/pavillon-adc.ch\/mediation\/accessibilites\/\">\u2014 Soir\u00e9e RELAX vendredi 2 d\u00e9cembre<\/a><\/p>\n<p>_ Audiodescription pour les personnes malvoyantes, samedi 3 d\u00e9cembre<br \/>\ninscription et renseignement : <a href=\"mailto:cecile.simonet@adc-geneve.ch\">cecile.simonet@adc-geneve.ch<\/a><\/p>\n<\/div>\n    <\/div>\n\n\n\n\n<div data-block_a1ee6ce5403d91cfa91f27d729d9d24c class=\"c-block c-block-acc has_color b-accordeon-dinfos-sur-la-piece b-accordeon accordion align\">\n  <button id=\"accordeon-block_a1ee6ce5403d91cfa91f27d729d9d24c\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">+ d&rsquo;infos sur la pi\u00e8ce<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>Les <em>Le<\/em><em>\u00e7<\/em><em>ons de t\u00e9n\u00e8bres<\/em> sont un ancien genre musical liturgique qui se lamente sur la chute de J\u00e9rusalem. Ce sont des polyphonies vocales du XVII\u00e8me si\u00e8cle. Les <em>le\u00e7ons<\/em> de Betty Tchomanga pleurent, elles, la destruction de la plan\u00e8te : une lamentation ancr\u00e9e dans les intuitions de Malcolm Ferdinand et de son essai <em>Une \u00e9cologie d\u00e9coloniale.<\/em> Notamment l\u2019image du bateau n\u00e9grier comme m\u00e9taphore de l\u2019histoire de la Terre. La pi\u00e8ce se nourrit aussi du mythe de\u00a0Mami Wata et du vaudou, ce syst\u00e8me de croyances articulant les quatre \u00e9l\u00e9ments &#8211; terre, eau, air et feu &#8211; ainsi que l\u2019opposition lumi\u00e8re\/obscurit\u00e9.<\/p>\n<p>Traceurs du monde, quatre corps connect\u00e9s \u00e0 l\u2019histoire coloniale font ici lever des visions. Des m\u00e9tamorphoses. Des vibrations. Ces figures courb\u00e9es d\u00e9terrent les r\u00e9cits qu\u2019on ne voudrait pas voir, qu\u2019on voudrait oublier. Elles sont port\u00e9es par un vortex musical puisant aussi bien chez Jimi Hendrix, Kali Malone, Kae Tempest ou Curtis Mayfield que chez Couperin. Et plac\u00e9es dans un dispositif quadrifrontal qui fusionne le cercle du vaudou avec la rampe du th\u00e9\u00e2tre occidental.<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_a1f61c582bd598b85aac93fe3b0587fe class=\"c-block c-block-acc has_color b-accordeon-bio b-accordeon accordion align\">\n  <button id=\"accordeon-block_a1f61c582bd598b85aac93fe3b0587fe\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Bio<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>Form\u00e9e au CNDC d\u2019Angers, Betty Tchomanga a notamment \u00e9t\u00e9 interpr\u00e8te pour Emmanuel Huynh, Alain Buffard, Fanny de Chaill\u00e9 et Marlene Monteiro Freitas. Men\u00e9e en parall\u00e8le, sa pratique d\u2019auteure prend des formes diverses. En 2012, elle signe <em>\u2013A\u2013 ou il a s\u00fbrement peur de l\u2019eau le poisson<\/em>, en collaboration avec le musicien Romain Mercier ; en 2013, elle cre\u0301e un spectacle <em>in situ <\/em>intitule\u0301 <em>Le Rivage<\/em>, en collaboration avec Oriane De\u0301chery et Je\u0301ro\u0302me Andrieu. En 2016, Betty Tchomanga inte\u0300gre l\u2019Association Lola Gatt Productions chore\u0301graphiques implante\u0301e a\u0300 Brest en tant que chore\u0301graphe associe\u0301e et cr\u00e9\u00e9e <em>Madame<\/em> pour trois interpr\u00e8tes. De\u0301but 2020, elle cre\u0301e\u0301 un solo intitule\u0301 <em>Mascarades<\/em>.<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_fa2412b6ad1d5704d73d564b265169a0 class=\"c-block c-block-acc has_color b-accordeon-distribution-credits b-accordeon accordion align\">\n  <button id=\"accordeon-block_fa2412b6ad1d5704d73d564b265169a0\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Distribution &#038; cr\u00e9dits<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p><strong>chor\u00e9graphie<\/strong> Betty Tchomanga<br \/>\n<strong>interpr\u00e8tes<\/strong> Amparo Gonzalez Sola, L\u00e9onard Jean-Baptiste, Betty Tchomanga et Balkis Mercier Berger (en alternance avec Zo\u00e9 Jaffry)<br \/>\n<strong>assistante \u00e0 la cr\u00e9ation<\/strong> Emma Tricard<br \/>\n<strong>lumi\u00e8re<\/strong> Eduardo Abdala<br \/>\n<strong>espace<\/strong> Eduardo Abdala, \u00c9milie Godreuil et Betty Tchomanga<br \/>\n<strong>son<\/strong> St\u00e9phane Monteiro<br \/>\n<strong>composition musicale<\/strong> Mackenzy Bergile, Folly Azaman, St\u00e9phane Monteiro et Betty Tchomanga<br \/>\n<strong>costumes<\/strong> Betty Tchomanga en collaboration avec Marino Marchand (<strong>confection perles<\/strong>\u00a0Love Aziakou, Jacqueline Houessinon)<br \/>\n<strong>r\u00e9gie g\u00e9n\u00e9rale et plateau<\/strong>\u00a0Emilie Godreuil<br \/>\n<strong>regard ext\u00e9rieur<\/strong> Dalila Khatir<br \/>\n<strong>travail vocal<\/strong> Dalila Khatir et Viviane Marc<br \/>\n<strong>technicien plateau<\/strong>\u00a0Bruno Roudaut<br \/>\n<strong>voix enregistr\u00e9es<\/strong> Folly Azaman et Fortun\u00e9 Agossa<\/p>\n<p><strong>production et diffusion <\/strong>Aoza \u2013 Marion Cachan<br \/>\n<strong>audiodescription<\/strong> Val\u00e9rie Castan<br \/>\n<strong>remerciements<\/strong> L\u2019\u00e9quipe du Quartz sc\u00e8ne nationale de Brest, l\u2019\u00e9quipe de Le Centre \u00e0 Cotonou, l\u2019\u00e9quipe du Pacifique CDCN de Grenoble Vincent Blouch<br \/>\n<strong>production <\/strong>Association Lola Gatt<br \/>\n<strong>coproduction<\/strong> Le Quartz sc\u00e8ne nationale de Brest, centre chor\u00e9graphique national de Caen en Normandie dans le cadre de l&rsquo;accueil-studio, Centre Chor\u00e9graphique National d&rsquo;Orl\u00e9ans &#8211; Direction Maud Le Pladec dans le cadre de l&rsquo;accueil-studio, Le Pacifique &#8211; CDCN de Grenoble, Les Hivernales &#8211; CDCN d&rsquo;Avignon, Th\u00e9\u00e2tre de Vanves, Le Triangle &#8211; Cit\u00e9 de la danse de Rennes, Coop\u00e9ration Nantes-Rennes-Brest-Rouen &#8211; Itin\u00e9raires d&rsquo;Artiste[s], wpZimmer &#8211; Anvers &#8211; Belgique, Les Subsistances Lyon, Be My Guest &#8211; R\u00e9seau international pour les pratiques \u00e9mergentes<br \/>\n<strong>avec le soutien de<\/strong> Gessnerallee \u2013 Z\u00fcrich \u2013 Suisse, Le Centre \u2013 Cotonou \u2013 B\u00e9nin, Kunstencentrum BUDA \u2013 Courtrai \u2013 Belgique, R\u00e9servoir danse \u2013 Rennes, Centre Henri Queffelec \u2013 Gouesnou.<br \/>\n<strong>m\u00e9c\u00e8ne <\/strong>\u00a0SARL SICC Saint-Andr\u00e9-de-Cubzac<br \/>\n<strong>avec le soutien financier <\/strong>de la DRAC Bretagne, de la R\u00e9gion Bretagne, du D\u00e9partement du Finist\u00e8re, de la Ville de Brest, de l\u2019Institut Fran\u00e7ais et de la Caisse des D\u00e9p\u00f4ts<\/p>\n<p>&nbsp;<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_99fcb8689a8c42ce170881385c7362a0 class=\"c-block c-block-acc has_color b-accordeon-la-presse-en-parle b-accordeon accordion align\">\n  <button id=\"accordeon-block_99fcb8689a8c42ce170881385c7362a0\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">La presse en parle<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>\u2014 <a href=\"https:\/\/www.rts.ch\/audio-podcast\/2022\/audio\/anne-le-ny-le-torrent-25881648.html?id=25881635\" target=\"_blank\" rel=\"noopener\">RTS \/ La 1e \/ Vertigo, 1er d\u00e9cembre 2022\u00a0<\/a><\/p>\n<p>\u2014 <a href=\"http:\/\/bit.ly\/3U6DQeB\" target=\"_blank\" rel=\"noopener\">Radio Cit\u00e9 Gen\u00e8ve<\/a>, \u00e9mission AfroMusiques du 25 nov 2022<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_c6a7cc7ca40bd87ed25e97995bc67a25 class=\"c-block c-block-acc has_color b-accordeon-en b-accordeon accordion align\">\n  <button id=\"accordeon-block_c6a7cc7ca40bd87ed25e97995bc67a25\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">EN<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p><em>Le\u00e7ons de t\u00e9n\u00e8bres<\/em> are a baroque musical genre that lament the fall of Jerusalem: Betty Tchomanga&rsquo;s lessons lament the destruction of the planet. Tracing the world, bodies connected to our colonial history invoke visions to the stage. Metamorphoses. Vibrations.<\/p>\n\n  <\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2022\/10\/Lec\u0327ons-de-Te\u0301ne\u0300bres_\u00a9PascaleCholette_24-1024x683.jpg\" alt=\"\" class=\"wp-image-25228\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/Lec\u0327ons-de-Te\u0301ne\u0300bres_\u00a9PascaleCholette_24-1024x683.jpg 1024w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/Lec\u0327ons-de-Te\u0301ne\u0300bres_\u00a9PascaleCholette_24-300x200.jpg 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/Lec\u0327ons-de-Te\u0301ne\u0300bres_\u00a9PascaleCholette_24-768x512.jpg 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/Lec\u0327ons-de-Te\u0301ne\u0300bres_\u00a9PascaleCholette_24-1536x1024.jpg 1536w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/Lec\u0327ons-de-Te\u0301ne\u0300bres_\u00a9PascaleCholette_24-2048x1365.jpg 2048w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/10\/Lec\u0327ons-de-Te\u0301ne\u0300bres_\u00a9PascaleCholette_24-1320x880.jpg 1320w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Pascale Cholette<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"819\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2022\/05\/\u00a9Justine-Kome\u0301-Betty-Tchomanga-1024x819.png\" alt=\"\" class=\"wp-image-23042\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/05\/\u00a9Justine-Kome\u0301-Betty-Tchomanga-1024x819.png 1024w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/05\/\u00a9Justine-Kome\u0301-Betty-Tchomanga-300x240.png 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/05\/\u00a9Justine-Kome\u0301-Betty-Tchomanga-768x614.png 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/05\/\u00a9Justine-Kome\u0301-Betty-Tchomanga-1536x1229.png 1536w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/05\/\u00a9Justine-Kome\u0301-Betty-Tchomanga-1320x1056.png 1320w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2022\/05\/\u00a9Justine-Kome\u0301-Betty-Tchomanga.png 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Justine Kome\u0301 &amp; Betty Tchomanga<\/figcaption><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":25230,"template":"","categories":[17],"tags":[],"saison":[24],"periode":[26],"class_list":["post-22968","spectacle","type-spectacle","status-publish","has-post-thumbnail","hentry","category-spectacle","saison-22-23","periode-aout-decembre-2022"],"acf":[],"_links":{"self":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/22968","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle"}],"about":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/types\/spectacle"}],"version-history":[{"count":0,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/22968\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/media\/25230"}],"wp:attachment":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/media?parent=22968"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/categories?post=22968"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/tags?post=22968"},{"taxonomy":"saison","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/saison?post=22968"},{"taxonomy":"periode","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/periode?post=22968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}