{"id":17764,"date":"2021-05-31T16:05:15","date_gmt":"2021-05-31T14:05:15","guid":{"rendered":"https:\/\/pavillon-adc.ch\/?post_type=spectacle&#038;p=17764"},"modified":"2022-05-19T12:59:07","modified_gmt":"2022-05-19T10:59:07","slug":"jan-martens-grip-dance-on-ensemble","status":"publish","type":"spectacle","link":"https:\/\/archives.adc-geneve.ch\/2126\/spectacle\/jan-martens-grip-dance-on-ensemble\/","title":{"rendered":"Jan Martens\/GRIP &#038; Dance On Ensemble"},"content":{"rendered":"\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div data-block_60b4eab31fe2f class=\"c-block c-block-spectacle-header spectacle-header align\">\n\n            <h1 class=\"b-spectacle-header__auteur font-sans font-bold text-6xl md:text-4xl leading-none md:pr-4 border-0 pb-0 mb-1\">Jan Martens\/GRIP &amp; Dance On Ensemble <\/h1>\n        <span class=\"b-spectacle-header__titre font-serif italic block text-5xl md:text-3xl  leading-none w-auto md:w-full md:inline\">any attempt will end in crushed bodies and shattered bones<\/span>    \n    <p class=\"text-xl font-bold\">\n    ve 10 \u2014 di 12 sept \/ ve 21h, sa 19h, di 15h                 \n        \n        <\/p>\n\n        <div class=\"pt-1 text-xl border-t border-black\"><p>Dans le cadre de <a href=\"https:\/\/www.batie.ch\/\">La B\u00e2tie-Festival de Gen\u00e8ve<\/a><\/p>\n<p>Il y aura de la danse, du mouvement, une foule d\u2019interpr\u00e8tes de tous \u00e2ges y compris des enfants. Il y aura aussi des chants, des musiques de protestation. Bref, du soul\u00e8vement. Et puis ces questions simples : comment se r\u00e9volter ? pourquoi dire stop ? quand rejoindre le flux ?<\/p>\n<p>Cr\u00e9ation 2021 coproduite par le Pavillon ADC et La B\u00e2tie<\/p>\n<\/div>\n    <\/div>\n\n\n\n\n<div data-block_60b4eab31fe30 class=\"c-block c-block-acc has_color b-accordeon-lire-la-suite b-accordeon accordion align\">\n  <button id=\"accordeon-block_60b4eab31fe30\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Lire la suite<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>Pour cette pi\u00e8ce au titre long, <em>any attempt will end in crushed bodies and shattered bones, <\/em>Jan Martens quitte ses r\u00e9centes recherches intimistes pour embrasser plus large. Il envahit un grand plateau avec de nombreux interpr\u00e8tes de morphologies et d\u2019\u00e2ges diff\u00e9rents. C\u2019est un groupe de 17 personnes, de 15 \u00e0 69 ans, qui travaille sur l\u2019immobilit\u00e9 comme acte de r\u00e9bellion. Cette communaut\u00e9 mobilis\u00e9e ne quitte jamais la sc\u00e8ne pour composer une ode \u00e0 la d\u00e9sob\u00e9issance civile, au refus de la vitesse et de la comp\u00e9tition. Elle cherche des soul\u00e8vements dans\u00e9s qui puissent secouer aussi la salle, car Martens vise moins la virtuosit\u00e9 que la contamination. Que se passe-t-il si on d\u00e9cide de ne plus courir avec son temps\u00a0? De dire non\u00a0? De s\u2019opposer\u00a0? Le chor\u00e9graphe flamand puise dans les mouvements de r\u00e9sistance de notre actualit\u00e9 (Gilets Jaunes, BLM, gr\u00e8ves du climat,\u2026) et constitue un corpus de musiques r\u00e9volutionnaires de plusieurs genres ou \u00e9poques. On a d\u00e9j\u00e0 vu <em>RULE OF<\/em> <em>THREE <\/em>de Martens \u00e0 l\u2019ADC, et on a donc pu approcher sa mani\u00e8re de consid\u00e9rer comment les \u00eatres se lient entre eux et avec leur environnement. Se creuse ici l\u2019id\u00e9e de r\u00e9volte, y compris contre les attendus d\u2019une pi\u00e8ce chor\u00e9graphique.<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_60b4eab31fe33 class=\"c-block c-block-acc has_color b-accordeon-bio b-accordeon accordion align\">\n  <button id=\"accordeon-block_60b4eab31fe33\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Bio<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>N\u00e9 en 1984 en Belgique, Jan Martens \u00e9tudie au Conservatoire de danse d\u2019Anvers (2006). Il d\u00e9veloppe ses propres cr\u00e9ations depuis 2009. Qu\u2019il travaille sur le saut comme dans <em>The Dog Days are over<\/em> ou en symbiose \u00e9troite avec un percussionniste comme dans <em>RULE OF THREE, <\/em>il cherche toujours autant la forme que le r\u00e9cit. En 2014, il produit le portrait de plusieurs villes \u00e0 travers 40 de leurs habitants. La m\u00eame ann\u00e9e, il fonde GRIP \u00e0 Anvers, avec le manager Klaartje Oerlemans\u00a0: une plateforme qui produit et distribue aussi bien son travail que celui d\u2019autres chor\u00e9graphes.<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_60b4eab31fe35 class=\"c-block c-block-acc has_color b-accordeon-distribution-credits b-accordeon accordion align\">\n  <button id=\"accordeon-block_60b4eab31fe35\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Distribution &#038; cr\u00e9dits<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p><strong>chor\u00e9ographie<\/strong> Jan Martens<br \/>\n<strong>danseur.eus.es <\/strong>Ty Boomershine, Truus Bronkhorst, Jim Buskens, Baptiste Cazaux, Zo\u00eb Chungong, Piet Defrancq, Naomi Gibson, Kimmy Ligtvoet, Cherish Menzo, Steven Michel, Gesine Moog, Dan Mussett, Wolf Overmeire, Tim Persent, Courtney May Robertson, Laura Vanborm, Loeka Willems &amp; Lia Witjes-Poole<br \/>\n<strong>doublures <\/strong>Kimmy Ligtvoet, Pierre Bastin, Georgia Boddez, Zora Westbroek<br \/>\n<strong>assistanat artistique <\/strong>Anne-Lise Brevers<br \/>\n<strong>cr\u00e9ation lumi\u00e8res <\/strong>Jan Fedinger<br \/>\n<strong>assistanat cr\u00e9ation lumi\u00e8res <\/strong>Vito Walter<br \/>\n<strong>cr\u00e9ation costumes <\/strong>C\u00e9dric Charlier<br \/>\n<strong>assistanat cr\u00e9ation costumes <\/strong>Alexandra Sebbag, Thibault Kuhn<br \/>\n<strong>regards ext\u00e9rieurs <\/strong>Marc Vanrunxt, Ren\u00e9e Copraij, Rudi Meulemans, Siska Baeck<br \/>\n<strong>textes <\/strong>Extraits de \u00ab\u00a0Spring\u00a0\u00bb d\u2019Ali Smith, avec la permission de The Wylie Agency (UK) Limited<br \/>\n<strong>musique <\/strong>\u201cConcerto pour Clavecin et Cordes Op 40\u201d R\u00e9f Im: 108884 Musique de Henryk Mikolaj G\u00f3recki \u00a9 PWM Editions, repr\u00e9sent\u00e9 par Alphonse Leduc Editions Musicales, \u201cPeople\u2019s Faces\u201d \u00e9crit par Kae Tempest et Dan Carey \u00a9 publication et administration par Domino Publishing Company Limited (50 %) et MANATA LTD administration par Warner\/Chappell Music Belgium N.V. (50%)., \u201cTriptych: Prayer\/Protest\/Peace\u201d \u00e9crit par Maxwell Roach \u00a9 publication Milma Publishing Company, administration Kobalt Music Publishing Limited<br \/>\n<strong>technique <\/strong>Michel Spang et Valentijn Weyn, Bennert Vancottem<br \/>\n<strong>production <\/strong>Sylvie Svanberg<br \/>\n<strong>diffusion <\/strong>A Propic \/ Line Rousseau et Marion Gauvent<br \/>\n<strong>production <\/strong>GRIP en collaboration avec\u00a0Dance On Ensemble<br \/>\n<strong>coproduction <\/strong>DE SINGEL, Theater Freiburg, Sadler&rsquo;s Wells Theatre, Julidans, Festival d\u2019Avignon, Le Gymnase CDCN Roubaix, Norrlandsoperan, La B\u00e2tie-Festival de Gen\u00e8ve, Pavillon ADC &#8211; Gen\u00e8ve, tanzhaus nrw,\u00a0 Le Parvis Sc\u00e8ne Nationale Tarbes-Pyr\u00e9n\u00e9\u00e9s, La Danse en grande forme &#8211; Projet de l\u2019A-CDCN et de l\u2019ACCN : CNDC &#8211; Angers, Malandain Ballet Biarritz, La Manufacture CDCN Nouvelle-Aquitaine Bordeaux \u2013 La Rochelle, Centre Chor\u00e9graphique National de Caen en Normandie, L&rsquo;\u00e9changeur &#8211; CDCN, Centre Chor\u00e9graphique National de Nantes, Centre Chor\u00e9graphique National d\u2019Orl\u00e9ans eca, Atelier de Paris \/ CDCN, Collectif Fair(e) \/\/ Centre Chor\u00e9graphique National de Rennes et de Bretagne, Le Gymnase | CDCN Roubaix | Hauts-de-France, POLE-SUD, CDCN Strasbourg, La Place de la Danse CDCN Toulouse Occitanie, Perpodium<br \/>\n<strong>soutiens <\/strong>De Grote Post, Charleroi danse &#8211; Centre chor\u00e9graphique de Wallonie-Bruxelles, CCNO &#8211; Centre Chor\u00e9graphique National d&rsquo;Orl\u00e9ans, Th\u00e9\u00e2tre d\u2019Orl\u00e9ans, December Dance \u2013 Concertgebouw Brugge, Cultuurcentrum Brugge, le Gouvernement flamand, la Ville d\u2019Anvers, le Tax Shelter du Gouvernement f\u00e9d\u00e9ral belge, Cronos Invest<br \/>\n<strong>remerciements <\/strong>Mr Jean Chabert (Stanley\/Stella)<\/p>\n<p>&nbsp;<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_60b4eab31fe36 class=\"c-block c-block-acc has_color b-accordeon-en b-accordeon accordion align\">\n  <button id=\"accordeon-block_60b4eab31fe36\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">EN<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>There will be dance, movement, a crowd of performers of all ages, including children. There will also be chanting and protest songs. An uprising of sorts. And a few simple questions: how can we revolt? Why say stop? When should you join the flow?<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_60d59af2c0bf0 class=\"c-block c-block-acc has_color b-accordeon-tarifs-et-billets-batie b-accordeon accordion align\">\n  <button id=\"accordeon-block_60d59af2c0bf0\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Tarifs et Billets B\u00e2tie<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p><strong>Billets uniquement en vente aupr\u00e8s de La B\u00e2tie<br \/>\n<\/strong>Spectacles ouverts \u00e0 la r\u00e9servation uniquement pour les abonn\u00e9\u00b7e\u00b7s de l\u2019ADC<\/p>\n<p>plein : 30.-<br \/>\nr\u00e9duit : 20.-<br \/>\nsp\u00e9cial : 15.-<br \/>\nfestivalier : 7.-<\/p>\n\n  <\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2021\/05\/ADC_Jan-Martens_\u00a9PhileDeprez_a.jpg\" data-rel=\"lightbox-gallery-UiWitbCG\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2021\/05\/ADC_Jan-Martens_\u00a9PhileDeprez_a-1024x683.jpg\" alt=\"\" data-id=\"17765\" data-full-url=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2021\/05\/ADC_Jan-Martens_\u00a9PhileDeprez_a.jpg\" data-link=\"https:\/\/pavillon-adc.ch\/?attachment_id=17765\" class=\"wp-image-17765\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/05\/ADC_Jan-Martens_\u00a9PhileDeprez_a-1024x683.jpg 1024w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/05\/ADC_Jan-Martens_\u00a9PhileDeprez_a-300x200.jpg 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/05\/ADC_Jan-Martens_\u00a9PhileDeprez_a-768x512.jpg 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/05\/ADC_Jan-Martens_\u00a9PhileDeprez_a.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">\u00a9 Phile Deprez<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<figure class=\"wp-block-gallery columns-0 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2021\/06\/anyattemptwillend_6\u00a9PhileDeprez-scaled.jpg\" data-rel=\"lightbox-gallery-UiWitbCG\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2021\/06\/anyattemptwillend_6\u00a9PhileDeprez-1024x683.jpg\" alt=\"\" data-id=\"18301\" data-full-url=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2021\/06\/anyattemptwillend_6\u00a9PhileDeprez-scaled.jpg\" data-link=\"https:\/\/pavillon-adc.ch\/spectacle\/jan-martens-grip-dance-on-ensemble\/anyattemptwillend_6philedeprez\/\" class=\"wp-image-18301\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/06\/anyattemptwillend_6\u00a9PhileDeprez-1024x683.jpg 1024w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/06\/anyattemptwillend_6\u00a9PhileDeprez-300x200.jpg 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/06\/anyattemptwillend_6\u00a9PhileDeprez-768x512.jpg 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/06\/anyattemptwillend_6\u00a9PhileDeprez-1536x1024.jpg 1536w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/06\/anyattemptwillend_6\u00a9PhileDeprez-2048x1365.jpg 2048w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/06\/anyattemptwillend_6\u00a9PhileDeprez-1320x880.jpg 1320w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">\u00a9 Phile Deprez<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"&#039;any attempt will end in crushed bodies and shattered bones&#039; by Jan Martens\/GRIP &amp; Dance On Ensemble [rehearsal trailer]\" src=\"https:\/\/player.vimeo.com\/video\/455059586?dnt=1&amp;app_id=122963\" width=\"500\" height=\"209\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":17765,"template":"","categories":[17],"tags":[],"saison":[23],"periode":[28],"class_list":["post-17764","spectacle","type-spectacle","status-publish","has-post-thumbnail","hentry","category-spectacle","saison-21-22","periode-sept-decembre-2021"],"acf":[],"_links":{"self":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/17764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle"}],"about":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/types\/spectacle"}],"version-history":[{"count":0,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/17764\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/media\/17765"}],"wp:attachment":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/media?parent=17764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/categories?post=17764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/tags?post=17764"},{"taxonomy":"saison","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/saison?post=17764"},{"taxonomy":"periode","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/periode?post=17764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}