{"id":15130,"date":"2020-10-12T13:56:27","date_gmt":"2020-10-12T11:56:27","guid":{"rendered":"https:\/\/pavillon-adc.ch\/?post_type=spectacle&#038;p=15130"},"modified":"2022-05-19T12:55:13","modified_gmt":"2022-05-19T10:55:13","slug":"romane-peytavin-pierre-piton","status":"publish","type":"spectacle","link":"https:\/\/archives.adc-geneve.ch\/2126\/spectacle\/romane-peytavin-pierre-piton\/","title":{"rendered":"Romane Peytavin &#038; Pierre Piton \/ Baptiste Cazaux"},"content":{"rendered":"\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div data-block_5f8441ad41251 class=\"c-block c-block-spectacle-header spectacle-header align\">\n\n            <h1 class=\"b-spectacle-header__auteur font-sans font-bold text-6xl md:text-4xl leading-none md:pr-4 border-0 pb-0 mb-1\">Romane Peytavin &amp; Pierre Piton \/ Baptiste Cazaux<\/h1>\n        <span class=\"b-spectacle-header__titre font-serif italic block text-5xl md:text-3xl  leading-none w-auto md:w-full md:inline\">Farewell Body \/ perfect pitch<\/span>    \n    <p class=\"text-xl font-bold\">\n    sa 20 \u2014 di 21 nov \/ sa 19h &amp; di 18h \/ dur\u00e9e 60&#039; &amp; 30&#039;      \/ accueil &amp; cr\u00e9ation             \n        \n        <span class=\"block my-4 md:my-2\">\n      <a href=\"https:\/\/etickets.infomaniak.com\/shop\/xQWnoNQu3M\/\" class=\"border-b-0 btn-form\" target=\"_blank\"> RESERVER OU ACHETER <\/a>\n      <\/span>\n        <\/p>\n\n        <div class=\"pt-1 text-xl border-t border-black\"><p>Soir\u00e9e double plac\u00e9e sous le signe du virtuel, de la semblance humaine et de la v\u00e9rit\u00e9 robotique.<\/p>\n<p><em>Farewell Body <\/em>explore cette sensation de rejet que peut \u00e9prouver l\u2019\u00eatre humain face \u00e0 une pr\u00e9sence andro\u00efde qui fait presque illusion.<\/p>\n<p><em>perfect p<\/em><em>itch<\/em> applique le principe de l\u2019<em>auto-tune<\/em>, logiciel qui permet de chanter juste, \u00e0 la performance sc\u00e9nique. Sp\u00e9cifiquement, \u00e0 sa non-ma\u00eetrise du ballet classique et du tuba. Mensonges perfectibles.<\/p>\n<p><span class=\"\">Pi\u00e8ces programm\u00e9es dans le cadre <\/span>d&rsquo;<a href=\"https:\/\/emergentia.ch\/\">Emergentia<\/a> \u2013 temps fort pour la cr\u00e9ation chor\u00e9graphique \u00e9mergente r\u00e9alis\u00e9 par <a href=\"https:\/\/fondationlabri.ch\">L\u2019Abri<\/a>, le <a href=\"https:\/\/www.theatredelusine.ch\">TU<\/a> et le Pavillon ADC \u2013 du 9 au 21 novembre 2021.<\/p>\n<p><em>perfect pitch<\/em> est une coproduction Emergentia<\/p>\n<p>Retrouvez le programme complet sur <a href=\"https:\/\/emergentia.ch\/\">emergentia.ch<\/a><\/p>\n<\/div>\n    <\/div>\n\n\n\n\n<div data-block_60d33b148ec96 class=\"c-block c-block-acc has_color b-accordeon-dinfos-sur-le-spectacle b-accordeon accordion align\">\n  <button id=\"accordeon-block_60d33b148ec96\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">+ d&rsquo;infos sur le spectacle<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p><em><strong>Farewell Body<\/strong><br \/>\n<\/em>La \u00abvall\u00e9e d\u00e9rangeante\u00bb est un terme scientifique utilis\u00e9 en robotique pour qualifier la r\u00e9action de rejet d\u2019un \u00eatre humain en pr\u00e9sence d\u2019un andro\u00efde. Plus un corps bionique nous semble similaire, plus ses imperfections apparaissent monstrueuses. <em>Farewell Body<\/em>\u00a0tente de p\u00e9n\u00e9trer cette vall\u00e9e. Une recherche corporelle qui exprime le naturel via la m\u00e9canique de l\u2019artificiel, une m\u00e9tamorphose qui repense le corps comme une merveilleuse machine et provoque ce trouble, cette \u00e9tranget\u00e9 qui nous ressemble.<\/p>\n<p><strong><em>perfect pitch <\/em><\/strong><br \/>\ncr\u00e9ation<br \/>\nGr\u00e2ce au logiciel de correction vocale auto-tune, plus personne ne chante faux. Tout est num\u00e9riquement cal\u00e9, ajust\u00e9, ce qui permet \u00e0 Baptiste Cazaux de se questionner sur la notion de virtuosit\u00e9. Le danseur et chor\u00e9graphe applique \u00e0 la sc\u00e8ne ce principe d\u2019une interface qui remet en question la justesse, l\u2019authenticit\u00e9. Confront\u00e9 au ballet classique, au chant lyrique et au tuba, le performeur explore des vuln\u00e9rabilit\u00e9s, des maladresses, l\u2019amateurisme. La v\u00e9rit\u00e9 et le mensonge aussi.<\/p>\n\n  <\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div data-block_5f8441ad41258 class=\"c-block c-block-acc has_color b-accordeon-bio b-accordeon accordion align\">\n  <button id=\"accordeon-block_5f8441ad41258\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Bio<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p><strong>Romane Peytavin &amp; Pierre Piton<br \/>\n<\/strong>Fond\u00e9e en 2018, la compagnie lausannoiseLa PP est n\u00e9e de la collaboration artistique entre Romane Peytavin et Pierre Piton, tous deux dipl\u00f4m\u00e9\u00b7e\u00b7s\u00a0du bachelor en danse contemporaine de La Manufacture de Lausanne. Durant cette formation, ils ont eu l\u2019occasion de cr\u00e9er le projet <em>Capillotract\u00e9e\u00a0<\/em>qui a \u00e9t\u00e9 finaliste du concours Danse \u00c9largie 2016 au Th\u00e9\u00e2tre de la Ville de Paris et qui a \u00e9t\u00e9 pr\u00e9sent\u00e9 aux Quarts d\u2019Heure de S\u00e9velin. Les deux chor\u00e9graphes-interpr\u00e8tes ont \u00e9t\u00e9 artistes associ\u00e9\u00b7e\u00b7s\u00a0\u00e0 L\u2019Abri Gen\u00e8ve pour la saison 2018-2019. Dans le cadre de cet \u00e9change, ils ont cr\u00e9\u00e9\u00a0<em>D\u00e9dicace<\/em>, au Festival Antigel ainsi que\u00a0<em>Farewell <\/em><em>Body<\/em>, \u00e0 l\u2019Arsenic Lausanne. Leur travail manie majoritairement les outils de l\u2019improvisation, afin de cr\u00e9er des \u0153uvres ironiques et accessibles \u00e0 toutes et \u00e0 tous. Ils exp\u00e9rimentent \u00e0 partir de corps hybrides, afin de proposer des syst\u00e8mes constamment red\u00e9finis o\u00f9 le public prend une part essentielle.<\/p>\n<p><strong>Baptiste Cazaux<\/strong><br \/>\nBaptiste Cazaux s\u2019est form\u00e9 en danse classique \u00e0 Biarritz, avant d\u2019entrer en 2015 au Ballet Junior de Gen\u00e8ve sous la direction de Sean Wood et Patrice Delay. Il y danse notamment des pi\u00e8ces d\u2019Olivier Dubois, Barak Marshall, Roy Assaf, Sharon Eyal et Thomas Hauert. Il pr\u00e9sente aujourd\u2019hui ses cr\u00e9ations dans des festivals tels que Les Quarts d\u2019Heure du Th\u00e9\u00e2tre Sevelin 36 (Lausanne) ou le far\u00b0 (Nyon). Durant la saison 2020-2021, il est artiste associ\u00e9 \u00e0 L\u2019Abri (Gen\u00e8ve).<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_5f8441ad41252 class=\"c-block c-block-acc has_color b-accordeon-distribution-credits b-accordeon accordion align\">\n  <button id=\"accordeon-block_5f8441ad41252\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Distribution &#038; cr\u00e9dits<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p><strong><em>Farewell Body<\/em><br \/>\n<\/strong><\/p>\n<p><strong>chor\u00e9graphie<\/strong> Romane Peytavin et Pierre Piton<br \/>\n<strong>interpr\u00e9tation<\/strong> Catol Teixeira et Pierre Piton<br \/>\n<strong>musique, cr\u00e9ation lumi\u00e8re et directeur technique<\/strong> Gautier Teuscher<br \/>\n<strong>technicien lumi\u00e8re<\/strong> Jo\u00ebl Corboz<br \/>\n<strong>sc\u00e9nographie<\/strong>\u00a0 Valentin Dubois<br \/>\n<strong>costumes<\/strong> Marie Bajenova<br \/>\n<strong>photographe\u00a0<\/strong> Gregory Batardon<br \/>\n<strong>captation vid\u00e9o<\/strong> Lucien Monot<br \/>\n<strong>coproduction<\/strong> Arsenic \u2013 Centre d\u2019art sc\u00e9nique contemporain, Lausanne; L\u2019Abri, Gen\u00e8ve<br \/>\n<strong>soutiens <\/strong>Loterie Romande, Fondation Nestl\u00e9 pour l\u2019Art, Ernst G\u00f6hner Stiftung, Fondation suisse des artistes interpr\u00e8tes SIS, Ville de Lausanne, Pro Helvetia, la Fondation Oertli<\/p>\n<p><strong><em>perfect pitch<br \/>\n<\/em><\/strong><strong>concept et chor\u00e9ographie <\/strong>Baptiste Cazaux<br \/>\n<strong>interpr\u00e9tation<\/strong> Baptiste Cazaux et Nelson Schaub aka Maitre Peintre<br \/>\n<strong>regard ext\u00e9rieur<\/strong> Maud Blandel<br \/>\n<strong>musique <\/strong>Maitre Peintre<br \/>\n<strong>costumes<\/strong> Marie Bajenova<br \/>\n<strong>lumi\u00e8res <\/strong>Justine Bouillet<br \/>\n<strong>coproduction<\/strong> HONEYHONEYDANCEDANCE, Th\u00e9\u00e2tre S\u00e9velin 36, Emergentia \u2013 <span class=\"\">temps fort\u00a0<\/span><span class=\"\" style=\"font-family: Open Sans, sans-serif;\"><span class=\"\">pour la cr\u00e9ation chor\u00e9graphique \u00e9mergente r\u00e9alis\u00e9<\/span><\/span><span class=\"\">\u00a0par\u00a0<\/span><span class=\"\">L\u2019Abri,<\/span><span class=\"\" style=\"font-family: Open Sans, sans-serif;\"><span class=\"\"> le TU et le Pavillon <\/span><span class=\"\">ADC &#8211; Gen\u00e8ve<\/span><\/span><br \/>\n<strong>diffusion <\/strong>Rue Branly &#8211; Quentin Legrand<br \/>\n<strong>soutiens<\/strong> Fondation Fluxum, Canton de Gen\u00e8ve, Loterie Romande<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_60d5cecd6ab29 class=\"c-block c-block-acc has_color b-accordeon-en b-accordeon accordion align\">\n  <button id=\"accordeon-block_60d5cecd6ab29\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">EN<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <div>\n<p><span lang=\"EN-GB\">A double bill held under the sign of the virtual, of human semblance and robotic truth.<br \/>\n<i>Farewell Body <\/i>explores the sensation of unease experienced by human beings when faced with a near-perfect android replica. <\/span><\/p>\n<\/div>\n<div>\n<p><i><span lang=\"EN-GB\">perfect pitch <\/span><\/i><span lang=\"EN-GB\">applies the principles of the pitch-correcting program <i>autotune <\/i>to the stage. Specifically, to a non-mastery of classical ballet and tuba. <\/span>Perfectible lies.<\/p>\n<\/div>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_6143158bc2d57 class=\"c-block c-block-acc has_color b-accordeon-mesures-sanitaires b-accordeon accordion align\">\n  <button id=\"accordeon-block_6143158bc2d57\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Mesures sanitaires<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>\u2014 d\u00e8s l\u2019entr\u00e9e dans le b\u00e2timent, se laver soigneusement les mains.<br \/>\n\u2014 pendant les repr\u00e9sentations, le <strong><a href=\"https:\/\/pavillon-adc.ch\/infos_mesures_sanitaires\/\">certificat COVID<\/a> est exig\u00e9<\/strong> pour entrer dans le b\u00e2timent et assister aux spectacles ou \u00e9v\u00e9nements. Par cons\u00e9quent, le port du masque est facultatif d\u00e8s l\u2019entr\u00e9e dans le b\u00e2timent.<br \/>\n\u2014 le placement en salle est libre. Les mesures de distanciation au sein de la salle de spectacle n\u2019est plus n\u00e9cessaire. La salle est utilis\u00e9e au maximum de sa capacit\u00e9.<\/p>\n\n  <\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2020\/10\/Romane-Peytavin-et-Pierre-Piton-\u00a9GregoryBatardon-1024x683.jpg\" alt=\"\u00a9 Gregory Batardon\" data-id=\"15135\" data-full-url=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2020\/10\/Romane-Peytavin-et-Pierre-Piton-\u00a9GregoryBatardon-scaled.jpg\" data-link=\"https:\/\/pavillon-adc.ch\/?attachment_id=15135\" class=\"wp-image-15135\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2020\/10\/Romane-Peytavin-et-Pierre-Piton-\u00a9GregoryBatardon-1024x683.jpg 1024w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2020\/10\/Romane-Peytavin-et-Pierre-Piton-\u00a9GregoryBatardon-300x200.jpg 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2020\/10\/Romane-Peytavin-et-Pierre-Piton-\u00a9GregoryBatardon-768x512.jpg 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2020\/10\/Romane-Peytavin-et-Pierre-Piton-\u00a9GregoryBatardon-1536x1024.jpg 1536w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2020\/10\/Romane-Peytavin-et-Pierre-Piton-\u00a9GregoryBatardon-2048x1365.jpg 2048w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2020\/10\/Romane-Peytavin-et-Pierre-Piton-\u00a9GregoryBatardon-1320x880.jpg 1320w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption\">Farewell Body \/ photo \u00a9 Gregory Batardon<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2021\/06\/Baptiste_Cazaux_PerfectPitch_Sevelin36_210306_093_\u00a9-Philippe-Weissbrodt-1024x683.jpg\" alt=\"\" data-id=\"19648\" data-full-url=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2021\/06\/Baptiste_Cazaux_PerfectPitch_Sevelin36_210306_093_\u00a9-Philippe-Weissbrodt-scaled.jpg\" data-link=\"https:\/\/pavillon-adc.ch\/spectacle\/romane-peytavin-pierre-piton\/baptiste_cazaux_perfectpitch_sevelin36_210306_093_-philippe-weissbrodt\/\" class=\"wp-image-19648\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/06\/Baptiste_Cazaux_PerfectPitch_Sevelin36_210306_093_\u00a9-Philippe-Weissbrodt-1024x683.jpg 1024w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/06\/Baptiste_Cazaux_PerfectPitch_Sevelin36_210306_093_\u00a9-Philippe-Weissbrodt-300x200.jpg 300w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/06\/Baptiste_Cazaux_PerfectPitch_Sevelin36_210306_093_\u00a9-Philippe-Weissbrodt-768x512.jpg 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/06\/Baptiste_Cazaux_PerfectPitch_Sevelin36_210306_093_\u00a9-Philippe-Weissbrodt-1536x1024.jpg 1536w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/06\/Baptiste_Cazaux_PerfectPitch_Sevelin36_210306_093_\u00a9-Philippe-Weissbrodt-2048x1365.jpg 2048w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/06\/Baptiste_Cazaux_PerfectPitch_Sevelin36_210306_093_\u00a9-Philippe-Weissbrodt-1320x880.jpg 1320w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption\">perfect pitch \/ photo \u00a9 Philippe Weissbrodt<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"La PP - &quot;Farewell Body&quot; - Teaser Creation 2019\" src=\"https:\/\/player.vimeo.com\/video\/383051913?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"perfect pitch - trailer\" src=\"https:\/\/player.vimeo.com\/video\/542654288?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":15135,"template":"","categories":[17],"tags":[],"saison":[23],"periode":[28],"class_list":["post-15130","spectacle","type-spectacle","status-publish","has-post-thumbnail","hentry","category-spectacle","saison-21-22","periode-sept-decembre-2021"],"acf":[],"_links":{"self":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/15130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle"}],"about":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/types\/spectacle"}],"version-history":[{"count":0,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/15130\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/media\/15135"}],"wp:attachment":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/media?parent=15130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/categories?post=15130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/tags?post=15130"},{"taxonomy":"saison","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/saison?post=15130"},{"taxonomy":"periode","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/periode?post=15130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}