{"id":15121,"date":"2020-10-12T13:36:35","date_gmt":"2020-10-12T11:36:35","guid":{"rendered":"https:\/\/pavillon-adc.ch\/?post_type=spectacle&#038;p=15121"},"modified":"2026-04-08T10:20:26","modified_gmt":"2026-04-08T08:20:26","slug":"diana-akbulut","status":"publish","type":"spectacle","link":"https:\/\/archives.adc-geneve.ch\/2126\/spectacle\/diana-akbulut\/","title":{"rendered":"Diana Akbulut"},"content":{"rendered":"\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div data-block_ff387a38c3e4974660be2724a3e17a91 class=\"c-block c-block-spectacle-header spectacle-header align\">\n\n            <h1 class=\"b-spectacle-header__auteur font-sans font-bold text-6xl md:text-4xl leading-none md:pr-4 border-0 pb-0 mb-1\">Diana Akbulut (Daya Jones)<\/h1>\n        <span class=\"b-spectacle-header__titre font-serif italic block text-5xl md:text-3xl  leading-none w-auto md:w-full md:inline\">Amour Grenade<\/span>    \n    <p class=\"text-xl font-bold\">\n    ma 16 \u2014 je 18 nov \/ ma 20h30, me 19h &amp; je 20h30 \/ dur\u00e9e 45&#039;      \/ cr\u00e9ation             \n        \n        <span class=\"block my-4 md:my-2\">\n      <a href=\"https:\/\/etickets.infomaniak.com\/shop\/TieO3XzV37\/\" class=\"border-b-0 btn-form\" target=\"_blank\"> RESERVER OU ACHETER <\/a>\n      <\/span>\n        <\/p>\n\n        <div class=\"pt-1 text-xl border-t border-black\"><div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p class=\"p1\"><span class=\"s1\"><strong>Repr\u00e9sentations compl\u00e8tes.<\/strong><br \/>\n<strong>Une liste d&rsquo;attente ouvre sur place 1h avant le d\u00e9but du spectacle.<\/strong><\/p>\n<p>C\u2019est la premi\u00e8re cr\u00e9ation en solo d\u2019une danseuse qui s\u2019est form\u00e9e dans des<i>\u00a0battles\u00a0<\/i>et\u00a0qui s&rsquo;inspire des\u00a0<i>street dances\u00a0<\/i>pour raconter des histoires universelles.\u00a0<i>Amour Grenade<\/i>, ou les imaginaires d\u2019une artiste qui s\u2019appelle Diana \u00e0 la ville et Daya sur les\u00a0<i>floors<\/i>\u00a0hip-hop.<\/span><\/p>\n<p>Diana Akbulut a re\u00e7u en 2020 le prix de la rel\u00e8ve\u00a0 de la Fondation vaudoise pour la Culture.<\/p>\n<p><span class=\"\">Pi\u00e8ce programm\u00e9e dans le cadre <\/span>d&rsquo;<a href=\"https:\/\/emergentia.ch\/\">Emergentia<\/a> &#8211; temps fort pour la cr\u00e9ation chor\u00e9graphique \u00e9mergente r\u00e9alis\u00e9 par <a href=\"https:\/\/fondationlabri.ch\">L\u2019Abri<\/a>, le <a href=\"https:\/\/www.theatredelusine.ch\">TU<\/a> et le Pavillon ADC &#8211; qui a lieu du 9 au 21 novembre 2021.<\/p>\n<p>Coproduction Emergentia<\/p>\n<p>Programme complet sur <a href=\"https:\/\/emergentia.ch\/\">emergentia.ch<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n    <\/div>\n\n\n\n\n<div data-block_69ae38723e52eb0df178ff74709343db class=\"c-block c-block-acc has_color b-accordeon-dinfos-sur-le-spectacle b-accordeon accordion align\">\n  <button id=\"accordeon-block_69ae38723e52eb0df178ff74709343db\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">+ d&rsquo;infos sur le spectacle<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p><em>Amour Grenade<\/em>, c\u2019est le go\u00fbt du fruit. C\u2019est aussi la r\u00e9conciliation des contraires. Il y a Daya et Diana. Daya Jones, le geste chirurgical dans les battles hip-hop. Diana Akbulut, Suissesse d\u2019origine kurde, qui se souvient de la terre de son p\u00e8re, de sa m\u00e8re, dans un festin de sens et de gestes reconquis. Entre Daya et Diana, il y a la tentative de ne plus s\u00e9parer les avatars. Ce serait une fausse piste de consid\u00e9rer uniquement cette premi\u00e8re cr\u00e9ation sous l\u2019angle des origines, du f\u00e9minisme ou du politique. Il s\u2019agit pour cette chor\u00e9graphe et danseuse de redonner du corps aux identit\u00e9s qui la traversent. La grenade n\u2019est ni tout \u00e0 fait un fruit ni seulement une arme.<\/p>\n\n  <\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div data-block_3a2bf203756bd73d55dc2df0e67ae849 class=\"c-block c-block-acc has_color b-accordeon-bio b-accordeon accordion align\">\n  <button id=\"accordeon-block_3a2bf203756bd73d55dc2df0e67ae849\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Bio<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p class=\"p1\">Danseuse, chor\u00e9graphe et p\u00e9dagogue suisse d\u2019origine kurde\u00a0al\u00e9vie, Diana Akbulut (Daya) se forme dans les battles et les cyphers du hip-hop europ\u00e9en. Un s\u00e9jour r\u00e9v\u00e9lateur \u00e0 New-York, berceau de cette culture, l\u2019am\u00e8ne \u00e0 creuser son vocabulaire gestuel en enrichissant sa pratique de diff\u00e9rents styles de rue. Au contact de ces nouveaux mouvements, sa vision s\u2019affine et s\u2019ouvre \u00e0 d\u2019autres histoires que la sienne, alors que son corps et sa danse r\u00e9affirment leur penchant pour l\u2019exploration et leur d\u00e9sir de libert\u00e9. De retour en Europe, elle int\u00e8gre Swaggers, la compagnie f\u00e9minine de la Fran\u00e7aise Marion Motin. Elle quitte les battles pour la sc\u00e8ne, tourne en Europe, au Moyen-Orient et en Asie.<br \/>\nEn 2015, elle lance le \u00ab sassy concept \u00bb. Ces cours c\u00e9l\u00e8brent les diff\u00e9rentes facettes de la f\u00e9minit\u00e9 en dehors des diktats de la beaut\u00e9 et des injonctions normatives. Si ces classes n\u2019ont pas de style d\u00e9fini, elles sont impr\u00e9gn\u00e9es de la philosophie hip hop : un espace de bienveillance, sans jugement, o\u00f9 le groupe remplit une fonction cathartique. En 2019, Diana Akbulut est invit\u00e9e au TedxLausanne Women pour pr\u00e9senter son sassy concept.<\/p>\n<p class=\"p1\"><span class=\"s1\">Elle d\u00e9veloppe, \u00e0 travers BOAT, des projets de transmission autour des danses urbaines et intervient r\u00e9guli\u00e8rement dans diff\u00e9rents contextes p\u00e9dagogiques, notamment \u00e0 la Manufacture (Haute \u00c9cole des arts de la sc\u00e8ne).<\/span><\/p>\n<p class=\"p1\">Bien que son travail poursuive des axes vari\u00e9s, sa recherche s\u2019articule toujours autour du geste instinctif et des textures hybrides. L\u00e0 o\u00f9 le corps n\u2019est plus un instrument mais un mat\u00e9riau propre, cr\u00e9ant des synergies et des passerelles entre la g\u00e9n\u00e9rosit\u00e9 du hip hop, l\u2019impertinence du voguing, la combattivit\u00e9 du krump et la douceur de la (re)connaissance de soi.<\/p>\n<p class=\"p1\">Diana Akbulut \u00e9volue et prom\u00e8ne sa danse entre la sc\u00e8ne underground et les institutions artistiques. Elle a travaill\u00e9 ou travaille avec l\u2019Arsenic, les JOJ 2020 et le Mudac pour la co-cr\u00e9ation d\u2019une pi\u00e8ce dans le cadre de l&rsquo;exposition \u00abSneaker Collab\u00bb. Elle collabore avec de nombreuses marques. Elle est laur\u00e9ate 2020 du prix de la rel\u00e8ve de la Fondation vaudoise pour la Culture.<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_bd8c8bd6dcdaf8ba3f13269d1fb8c193 class=\"c-block c-block-acc has_color b-accordeon-distribution-credits b-accordeon accordion align\">\n  <button id=\"accordeon-block_bd8c8bd6dcdaf8ba3f13269d1fb8c193\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Distribution &#038; cr\u00e9dits<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p><strong>chor\u00e9graphie, interpr\u00e9tation<\/strong><br \/>\nDiana Akbulut (Daya Jones)<br \/>\n<strong>cr\u00e9ation musicale<br \/>\n<\/strong>Louis Brodinski et Merlin Modulaw<br \/>\n<strong>consultant image<\/strong><br \/>\nNicolas Poillot<br \/>\n<strong>lumi\u00e8res<\/strong><br \/>\nZara Bowen<br \/>\n<strong>texte communication<\/strong><br \/>\nArnaud Robert<br \/>\n<strong><span style=\"background-color: rgba(255,255,255,var(--bg-opacity));\">stylisme<br \/>\n<\/span><\/strong>La Coloc &#8211; Dunja en collaboration avec les designers suisses Mariel Manuel (Manufactures) et Stephanie Nina Yoon (Nina Yuun)<br \/>\n<strong>coproduction<\/strong><br \/>\nL\u2019Arsenic et Emergentia \u2013 <span class=\"\">temps fort\u00a0<\/span><span class=\"\" style=\"font-family: Open Sans, sans-serif;\"><span class=\"\">pour la cr\u00e9ation chor\u00e9graphique \u00e9mergente r\u00e9alis\u00e9<\/span><\/span><span class=\"\">\u00a0par\u00a0<\/span><span class=\"\">L\u2019Abri,<\/span><span class=\"\" style=\"font-family: Open Sans, sans-serif;\"><span class=\"\"> le TU et le Pavillon <\/span><span class=\"\">ADC &#8211; Gen\u00e8ve<br \/>\n<strong>soutien<\/strong> Loterie Romande<br \/>\n<strong>remerciements<\/strong> Salom\u00e9 Kiner, Philippe Cuendet, Julie Maillard<br \/>\n<\/span><\/span><\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_36de05906cc189276b0ffa4555e4803f class=\"c-block c-block-acc has_color b-accordeon-presse b-accordeon accordion align\">\n  <button id=\"accordeon-block_36de05906cc189276b0ffa4555e4803f\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Presse<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <ul>\n<li><a href=\"https:\/\/lecourrier.ch\/2021\/11\/18\/amour-grenade-solo-tout-en-arabesques\/\">Le Courrier, 18 novembre 2021<\/a><\/li>\n<li><a href=\"https:\/\/www.rts.ch\/info\/culture\/spectacles\/12649003-amour-grenade-la-danse-dorient-et-doccident-de-diana-akbulut.html\">RTS Culture, 18 novembre 2021<\/a><\/li>\n<li><a href=\"https:\/\/www.rts.ch\/audio-podcast\/2021\/audio\/diana-akbulut-la-danse-entre-orient-et-occident-25779006.html\">Vertigo, La 1e, 16 novembre 2021<\/a><\/li>\n<\/ul>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_71a70f771a00a2c81accac3c6434827b class=\"c-block c-block-acc has_color b-accordeon-en b-accordeon accordion align\">\n  <button id=\"accordeon-block_71a70f771a00a2c81accac3c6434827b\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">EN<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>The first evening-length piece from a dancer who forged herself in the heat of <em>battles, <\/em>who plays with all types of <em>street dances <\/em>to gain in expressive freedom and touch a wider audience. <em>Amour Grenade, <\/em>or the dreams and truths of an artist called Diana during the day and Daya on the HIP HOP floors.<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_61113ab77eec695681c4d4d08ca9f4c9 class=\"c-block c-block-acc has_color b-accordeon-mesures-sanitaires b-accordeon accordion align\">\n  <button id=\"accordeon-block_61113ab77eec695681c4d4d08ca9f4c9\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Mesures sanitaires<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>\u2014 d\u00e8s l\u2019entr\u00e9e dans le b\u00e2timent, se laver soigneusement les mains.<br \/>\n\u2014 pendant les repr\u00e9sentations, le <strong><a href=\"https:\/\/pavillon-adc.ch\/infos_mesures_sanitaires\/\">certificat COVID<\/a> est exig\u00e9<\/strong> pour entrer dans le b\u00e2timent et assister aux spectacles ou \u00e9v\u00e9nements. Par cons\u00e9quent, le port du masque est facultatif d\u00e8s l\u2019entr\u00e9e dans le b\u00e2timent.<br \/>\n\u2014 le placement en salle est libre. Les mesures de distanciation au sein de la salle de spectacle n\u2019est plus n\u00e9cessaire. La salle est utilis\u00e9e au maximum de sa capacit\u00e9.<\/p>\n\n  <\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-gallery has-nested-images columns-1 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2021\/09\/Amour-Grenade_DIANA_02-1-scaled.jpg\" data-rel=\"lightbox-gallery-OFkh1ALF\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"20430\" src=\"https:\/\/pavillon-adc.ch\/wp-content\/uploads\/2021\/09\/Amour-Grenade_DIANA_02-1-819x1024.jpg\" alt=\"Diana Akbulut 2\" class=\"wp-image-20430\" srcset=\"https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/09\/Amour-Grenade_DIANA_02-1-819x1024.jpg 819w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/09\/Amour-Grenade_DIANA_02-1-240x300.jpg 240w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/09\/Amour-Grenade_DIANA_02-1-768x960.jpg 768w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/09\/Amour-Grenade_DIANA_02-1-1229x1536.jpg 1229w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/09\/Amour-Grenade_DIANA_02-1-1638x2048.jpg 1638w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/09\/Amour-Grenade_DIANA_02-1-1320x1650.jpg 1320w, https:\/\/archives.adc-geneve.ch\/2126\/wp-content\/uploads\/2021\/09\/Amour-Grenade_DIANA_02-1-scaled.jpg 2048w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/a><figcaption class=\"wp-element-caption\">\u00a9 Nicolas Poillot<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":20430,"template":"","categories":[17],"tags":[],"saison":[23],"periode":[28],"class_list":["post-15121","spectacle","type-spectacle","status-publish","has-post-thumbnail","hentry","category-spectacle","saison-21-22","periode-sept-decembre-2021"],"acf":[],"_links":{"self":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/15121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle"}],"about":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/types\/spectacle"}],"version-history":[{"count":1,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/15121\/revisions"}],"predecessor-version":[{"id":40769,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/spectacle\/15121\/revisions\/40769"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/media\/20430"}],"wp:attachment":[{"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/media?parent=15121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/categories?post=15121"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/tags?post=15121"},{"taxonomy":"saison","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/saison?post=15121"},{"taxonomy":"periode","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2126\/wp-json\/wp\/v2\/periode?post=15121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}