{"id":15114,"date":"2020-10-12T13:22:24","date_gmt":"2020-10-12T11:22:24","guid":{"rendered":"https:\/\/pavillon-adc.ch\/?post_type=spectacle&#038;p=15114"},"modified":"2020-11-13T11:24:51","modified_gmt":"2020-11-13T10:24:51","slug":"lara-barsacq","status":"publish","type":"spectacle","link":"https:\/\/archives.adc-geneve.ch\/2021\/spectacle\/lara-barsacq\/","title":{"rendered":"Lara Barsacq"},"content":{"rendered":"\n<div class=\"wp-container-69e349deb2c99 wp-block-columns alignwide\">\n<div class=\"wp-block-column\" style=\"flex-basis:50%\"><div data-block_5f8438a5dbd30 class=\"c-block c-block-spectacle-header  spectacle-header align\">\n\n        <h1 class=\"b-spectacle-header__auteur font-sans font-bold text-6xl md:text-4xl leading-none md:pr-4 border-0 pb-0 mb-1\">Lara Barsacq<\/h1>\n        <span class=\"b-spectacle-header__titre font-serif italic block text-5xl md:text-3xl  leading-none w-auto md:w-full md:inline\">IDA don\u2019t cry me love<\/span>         \n\n    <p class=\"text-xl font-bold\">\n    13 &amp; 14.11 \/ ve &amp; sa 19h      \/ Salle des Eaux-Vives      \/ dans le cadre d&#039;Emergentia      <\/p>\n\n        <div class=\"text-xl border-t border-black pt-1\"><p><em>Conform\u00e9ment aux derni\u00e8res annonces du Conseil d\u2019\u00c9tat genevois (1<sup>er<\/sup> novembre), le th\u00e9\u00e2tre doit fermer ses portes au public jusqu&#8217;\u00e0 la fin novembre. Par cons\u00e9quent, ce spectacle est annul\u00e9. Les personnes ayant achet\u00e9 des billets pour le temps fort Emergentia (Romane Peytavin &amp; Pierre Piton, Lara Barsacq, Daya Jones) seront contact\u00e9es prochainement.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>\u00c0 l\u2019origine, il y a Ida Rubinstein, une danseuse l\u00e9gendaire des Ballets russes du d\u00e9but du XX\u00e8me si\u00e8cle. Dans Salom\u00e9 d\u2019Oscar Wilde, la danseuse effeuille son costume et se d\u00e9nude enti\u00e8rement \u2014 triomphe et renomm\u00e9e imm\u00e9diats. Par cet acte lib\u00e9rateur et provocant, Ida entre dans l\u2019histoire de la danse. Un si\u00e8cle plus tard, Lara Barsacq part \u00e0 sa rencontre. M\u00ealant l\u2019historique et le trivial, le grandiose et l\u2019absurde, sur la sc\u00e8ne, trois artistes c\u00e9l\u00e8brent la m\u00e9moire, la gloire, l\u2019absence d\u2019Ida.<\/p>\n<p><span class=\"\">Spectacle programm\u00e9 dans le cadre d&#8217;Emergentia &#8211; <\/span><span class=\"\">temps fort <\/span><span class=\"\" style=\"font-family: Open Sans, sans-serif;\"><span class=\"\">pour la cr\u00e9ation chor\u00e9graphique \u00e9mergente r\u00e9alis\u00e9<\/span><\/span><span class=\"\">\u00a0par\u00a0<\/span><span class=\"\">L\u2019Abri,<\/span><span class=\"\" style=\"font-family: Open Sans, sans-serif;\"><span class=\"\">\u00a0le TU et \u00a0l<\/span><span class=\"\">\u2019<\/span><span class=\"\">ADC Gen\u00e8ve.<br \/>\n<\/span><\/span>Programmation compl\u00e8te sur <a href=\"https:\/\/emergentia.ch\/\">Emergentia.ch<\/a><\/p>\n<p><em>IDA don\u2019t cry me love<\/em> est nomin\u00e9 dans la cat\u00e9gorie Meilleur spectacle de danse, aux Prix Maeterlinck de la critique (saison 2019\/2020 en Belgique francophone)<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n    <\/div>\n\n\n\n\n<div data-block_5f8438a5dbd31 class=\"c-block c-block-acc has_color b-accordeon-distribution-credits b-accordeon accordion align\">\n  <button id=\"accordeon-block_5f8438a5dbd31\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Distribution &#038; Cr\u00e9dits<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>Un projet de Lara Barsacq.<br \/>\n<strong>cr\u00e9ation et interpr\u00e9tation<\/strong>\u00a0 Lara Barsacq, Marta Capaccioli, Elisa Yvelin\/Marion Sage \u2014 <strong>conseils artistiques<\/strong>\u00a0 Ga\u00ebl Santisteva \u2014 <strong>sc\u00e9nographie et costumes<\/strong> Sofie Durnez.<br \/>\n<strong>assistant accessoires<\/strong> Ben Berkmoes \u2014 <strong>lumi\u00e8res<\/strong> Kurt Lefevre \u2014 <strong>musiques<\/strong> Nicolai Tcherepnin, Claude Debussy, Maurice Ravel, Snow Beard, Tim Coenen, Lara Barsacq, Ga\u00ebl Santisteva<br \/>\n<strong>production<\/strong> Gilbert &amp; Stock \u2014 <strong>coproduction<\/strong> Charleroi danse \u2013 CentreChor\u00e9graphique de la F\u00e9d\u00e9ration Wallonie-Bruxelles, Les Brigittines\u00a0 \u2014 <strong>r\u00e9sidences de cr\u00e9ation<\/strong> La Raffinerie \u2013 Centre Chor\u00e9graphique de la F\u00e9d\u00e9ration Wallonie-Bruxelles, Les Brigittines, Grand Studio, Le Th\u00e9\u00e2tre de Li\u00e8ge et Honolulu, Nantes \u2014 <strong>avec le soutien du<\/strong> Minist\u00e8re de la F\u00e9d\u00e9ration Wallonie- Bruxelles \u2013 Service de la danse, Wallonie-Bruxelles International, Grand Studio et Le R\u00e9seau Grand Luxe. Charleroi danse s\u2019engage \u00e0 produire, pr\u00e9senter et accompagner les oeuvres de Lara Barsacq de 2020 \u00e0 2022.<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_5f8438a5dbd33 class=\"c-block c-block-acc b-accordeon b-accordeon-billet  spectacle-billet align\">\n  <button id=\"accordeon-block_5f8438a5dbd33\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Billets <i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n\n    \n    \n    \n      <\/div>\n<\/div>\n\n\n<div data-block_5f8438a5dbd34 class=\"c-block c-block-acc has_color b-accordeon-bio b-accordeon accordion align\">\n  <button id=\"accordeon-block_5f8438a5dbd34\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Bio<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p>Lara Barsacq est chor\u00e9graphe, danseuse et com\u00e9dienne. Elle aime m\u00ealer les pistes entre archives, fictions, incarnation et documentaire. En partant de l\u2019histoire, des rituels autobiographiques et de la mati\u00e8re du r\u00e9el, elle tente d\u2019imaginer des danses, des m\u00e9taphores et de basculer dans l\u2019incarnation. Form\u00e9e au CNSMDP en danse contemporaine, elle int\u00e8gre entre 1992 et 1996 la Compagnie Batsheva sous la direction du chor\u00e9graphe Ohad Naharin. De 1994 \u00e0 2004, elle se consacre \u00e0 la chor\u00e9graphie, que ce soit pour ses projets, \u00e0 la demande du CNSMDP ou de compagnies professionnelles comme l\u2019Ensemble Batsheva. Elle devient interpr\u00e8te des Compagnies Jean-Marc Heim, Alias, J\u00e9r\u00f4me Bel, Lies Pauwels &amp; Ben Benaouisse, Tristero, les Ballets C de la B, le GdRA, Benny Claessens, Arkadi Zaides, Sarah Vanhee, la Cie du Zerep, Danae Theodoridou et Lisi Estaras. Depuis 2004, elle est autant com\u00e9dienne que danseuse, travaillant \u00e0 partir d\u2019improvisations et de textes d\u2019auteurs. Elle d\u00e9veloppe son travail chor\u00e9graphique en collaboration avec Ga\u00ebl Santisteva, avec lequel elle fonde en 2016 l\u2019asbl Gilbert &amp; Stock. Apr\u00e8s 15 ans en tant qu\u2019interpr\u00e8te, Lara renoue avec la chor\u00e9graphie en se concentrant sur le projet personnel\u00a0<em>Lost in Ballets russes<\/em>\u00a0cr\u00e9\u00e9 le 19 avril 2018 \u00e0 La Raffinerie, Charleroi danse. Elle entame cette ann\u00e9e sa nouvelle cr\u00e9ation\u00a0<em>IDA don\u2019t cry me love<\/em>\u00a0autour de la figure d\u2019Ida Rubinstein.<\/p>\n\n  <\/div>\n<\/div>\n\n\n<div data-block_5f87156f035ba class=\"c-block c-block-acc has_color b-accordeon-billetterie b-accordeon accordion align\">\n  <button id=\"accordeon-block_5f87156f035ba\" class=\"b-acc__button js-accordeon-button\" >\n    <span class=\"b-acc__titre\">Billetterie<i><\/i><\/span>\n  <\/button>\n  <div class=\"b-acc__panel\">\n      <p><a href=\"https:\/\/etickets.infomaniak.com\/shop\/3uOOjhDrB1\/\">Achat en ligne et r\u00e9servations abonn\u00e9.e.s<\/a><\/p>\n<p>Tarif<br \/>\nunique : 8.-<\/p>\n\n  <\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/archives.adc-geneve.ch\/2021\/wp-content\/uploads\/2020\/10\/lara-barsacq-1024x683.jpeg\" alt=\"Lara Barsacq\" data-id=\"15115\" data-link=\"https:\/\/archives.adc-geneve.ch\/2021\/?attachment_id=15115\" class=\"wp-image-15115\" srcset=\"https:\/\/archives.adc-geneve.ch\/2021\/wp-content\/uploads\/2020\/10\/lara-barsacq-1024x683.jpeg 1024w, https:\/\/archives.adc-geneve.ch\/2021\/wp-content\/uploads\/2020\/10\/lara-barsacq-300x200.jpeg 300w, https:\/\/archives.adc-geneve.ch\/2021\/wp-content\/uploads\/2020\/10\/lara-barsacq-768x512.jpeg 768w, https:\/\/archives.adc-geneve.ch\/2021\/wp-content\/uploads\/2020\/10\/lara-barsacq-1536x1024.jpeg 1536w, https:\/\/archives.adc-geneve.ch\/2021\/wp-content\/uploads\/2020\/10\/lara-barsacq-2048x1365.jpeg 2048w, https:\/\/archives.adc-geneve.ch\/2021\/wp-content\/uploads\/2020\/10\/lara-barsacq-1320x880.jpeg 1320w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption\">\u00a9 Stanislav Dobak<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/archives.adc-geneve.ch\/2021\/wp-content\/uploads\/2020\/10\/IDA_Stanislav_Dobak_25-1024x683.jpeg\" alt=\"\u00a9 Stanislav Dobak\" data-id=\"15116\" data-full-url=\"https:\/\/archives.adc-geneve.ch\/2021\/wp-content\/uploads\/2020\/10\/IDA_Stanislav_Dobak_25-scaled.jpeg\" data-link=\"https:\/\/archives.adc-geneve.ch\/2021\/?attachment_id=15116\" class=\"wp-image-15116\" srcset=\"https:\/\/archives.adc-geneve.ch\/2021\/wp-content\/uploads\/2020\/10\/IDA_Stanislav_Dobak_25-1024x683.jpeg 1024w, https:\/\/archives.adc-geneve.ch\/2021\/wp-content\/uploads\/2020\/10\/IDA_Stanislav_Dobak_25-300x200.jpeg 300w, https:\/\/archives.adc-geneve.ch\/2021\/wp-content\/uploads\/2020\/10\/IDA_Stanislav_Dobak_25-768x512.jpeg 768w, https:\/\/archives.adc-geneve.ch\/2021\/wp-content\/uploads\/2020\/10\/IDA_Stanislav_Dobak_25-1536x1024.jpeg 1536w, https:\/\/archives.adc-geneve.ch\/2021\/wp-content\/uploads\/2020\/10\/IDA_Stanislav_Dobak_25-2048x1365.jpeg 2048w, https:\/\/archives.adc-geneve.ch\/2021\/wp-content\/uploads\/2020\/10\/IDA_Stanislav_Dobak_25-1320x880.jpeg 1320w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption\">\u00a9 Stanislav Dobak<\/figcaption><\/figure><\/li><\/ul><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":15115,"template":"","categories":[17],"tags":[],"_links":{"self":[{"href":"https:\/\/archives.adc-geneve.ch\/2021\/wp-json\/wp\/v2\/spectacle\/15114"}],"collection":[{"href":"https:\/\/archives.adc-geneve.ch\/2021\/wp-json\/wp\/v2\/spectacle"}],"about":[{"href":"https:\/\/archives.adc-geneve.ch\/2021\/wp-json\/wp\/v2\/types\/spectacle"}],"version-history":[{"count":3,"href":"https:\/\/archives.adc-geneve.ch\/2021\/wp-json\/wp\/v2\/spectacle\/15114\/revisions"}],"predecessor-version":[{"id":15580,"href":"https:\/\/archives.adc-geneve.ch\/2021\/wp-json\/wp\/v2\/spectacle\/15114\/revisions\/15580"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2021\/wp-json\/wp\/v2\/media\/15115"}],"wp:attachment":[{"href":"https:\/\/archives.adc-geneve.ch\/2021\/wp-json\/wp\/v2\/media?parent=15114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2021\/wp-json\/wp\/v2\/categories?post=15114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archives.adc-geneve.ch\/2021\/wp-json\/wp\/v2\/tags?post=15114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}